Tubescorcher said:I had read that Eddy tracked that solo direct through a boss ds-1 into the mixing console. It doesn't sound anything like his normal miked brown sound of that era. I'd try not using an amp block.
tgunn said:Boss used to distribute a little booklet with every pedal (maybe they still do?). In it there was an example setup diagram for each pedal demonstrating how a particular artist used that pedal to record a particular solo or song. For the HM2 - Heavy Metal pedal, the solo was Eddie's Beat It solo and iirc the diagram showed only three things. Guitar, HM2 and a mixing desk! I have no idea how true to life that is, but I think the HM2 is the pedal he used.
Wow, people really put in the hours on this one. FWIW, Guitar Player magazine had a cartoon about this particular session several years ago.R.D. said:tgunn said:Boss used to distribute a little booklet with every pedal (maybe they still do?). In it there was an example setup diagram for each pedal demonstrating how a particular artist used that pedal to record a particular solo or song. For the HM2 - Heavy Metal pedal, the solo was Eddie's Beat It solo and iirc the diagram showed only three things. Guitar, HM2 and a mixing desk! I have no idea how true to life that is, but I think the HM2 is the pedal he used.
I see that type of stuff all the time, doesn't mean that's what he used to record it with ....
There's a whole epsitle thread over at the Metroamp forum that says he used a solid-state Hartley-Thompson amp that he borrowed from Allan Holdsworth.
There's a couple of guys that claim their fathers knew each other, etc; One guy even traced the timeline of when Alan was in LA recording one of his albums that Eddie produced .... Evidently it all matches up ?
That's exactly it. Or maybe it was his rental carR.D. said:Regardless, whatever he used, it's definitely an argument for "the tone is in the fingers" ....
tgunn said:FWIW, Guitar Player magazine had a cartoon about this particular session several years ago.