Try Axes/Triaxis

Just look at Petrucci's clinic filmed by none other than Ola Englund's father:

Tried to look through to confirm it's his TriAxis but I assume it is given that's his rack to the side, but I'm aware he was using a multitude of MESA / Boogie amps at the time.

 
The real Triaxis was an INCREDIBLE piece of gear. It was way, way ahead of its time. Its only downfall was that to really get it sounding as intended it had to be plugged in to a maxed out power amp. It was not for hobbyist or average cover band guitarists.
How was triaxis meant to be used? On it's own or paired with other mesa amp?
 
Just look at Petrucci's clinic filmed by none other than Ola Englund's father:

Tried to look through to confirm it's his TriAxis but I assume it is given that's his rack to the side, but I'm aware he was using a multitude of MESA / Boogie amps at the time.


I saw JP at a clinic in ‘95 and he was playing through a Trem-o-verb head and it sounded like a beast!
 
I never had any noise issues with mine. I had the Phat Mod version with the Recto preamp circuit in it. With the 2:90 power amp through a pair of Recto 2x12 cabs it was glorious. Pants flapping punch.
The model we have in the FAS ecosystem doesn't have the Reco board right? I know its the TX-4 but I find conflicting information.
 
The model we have in the FAS ecosystem doesn't have the Reco board right? I know its the TX-4 but I find conflicting information.

I think it does, but no Phat Mod. The Phat Mod added more low end to the input section. Lots of folks did not like it. I was playing Strats at the time, so the extra low end was good for me. With something like a fatter Les Paul it would probably be too much and sound tubby.
 
I never had any noise issues with mine. I had the Phat Mod version with the Recto preamp circuit in it. With the 2:90 power amp through a pair of Recto 2x12 cabs it was glorious. Pants flapping punch.
I had the same version, with the same amp. Huge. But noisy.
 
High gain amps are extremely sensitive to noisy tubes in the V1 position. I always auditioned a number of preamp tubes and put the quietest ones I had in the V1 position and worked up from there. Takes some time but can make a huge difference in overall noise. I don't miss that crap one bit since going to the Axe FX.

I remember trying out a used 5150 head at Mars Music in Houston many years ago. That thing sounded like a freaking white noise generator. It must have had some garbage tubes in it because I'd heard MUCH quieter examples of that amp.
 
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How was triaxis meant to be used? On it's own or paired with other mesa amp?

It's a preamp intended to be used with a power amp.

Same question, but how is it used inside a self-contained FM9 preset? I'm playing tonight, so I won't chance to play it until at least tomorrow. I should just wait, and try - but I am deathly curious to know.

Does it's AMP block model include any sort of power amp parameters? Or do you use two AMP blocks, running the Triaxis into another amp block set to mimic a clean power amp?

I've seen the preset, but wasn't smart enough to make a connection. I've been a long time mesa guy in the 'real' world. My current amp is the mark 7, which screams.

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Side note: Wanna hear something that will make you mad? It still makes me mad to this day. About 25 years ago, I had an opportunity to buy a Triaxis for $50 or "best offer". No one wanted it. I passed, because it looked really complicated.

I also snubbed my nose an ADA MP1 after the rise of grunge. And when I graduated from high school, our school was giving away (FOR FREE) a bunch of equipment that they were replacing. I could have taken a DX-7 synth. But y'know, "Why would anyone want that cheesy old 80's stuff when we have tube screamers to step on?". I'm pretty sure the DX-7 wound up in a dumpster. Regrets, I've had a few....
 
The Triaxis models are my go-to for original song solos. The real deal was the best preamp I've ever owned. The green, red and yellow channels are very different.
 
OT: Care to expand on that brief review of the Mk VII? Seems like an amazing tool. Can you make effective use of all those modes live, and switch between them?

Honestly, it's a bit excessive for me, but I love it. I alternate between a few different strategies with it.

I run it on the 90W setting for all channels, regardless of volume. It has some useful tones in the 25W and 45W settings, but I'm generally looking for a rounder fatter tone, and don't really need the extra gain push.

Channel 1 is my clean sound. I dial it in on it's 'FAT' voicing, where single coils will go right up to where it almost goes into that ege of breakout sound, but still clean. When I switch to humbuckers, I just toggle back to the "CLEAN" setting and kind of end up in the same edge of breakout type sound. Since I'm right at the edge of my headroom, it will let pedals - like a tube screamer - really shine.

Channel 2 is always set to the "MKVII" voicing, but with the drive dial back. I can easily get the same amount of gain (or more) from the "CRUNCH" voicing, but I prefer the character of the MKVII voicing. It can deliver obnoxious amounts of gain, but I think it does it's best work in that mid/crunch territory.

Channel 3 is kind of a wild card. If I'm playing both single coils and humbuckers, I will usually dial channel 2 for humbucker rhythm/crunch, and channel 3 for my single coil rhythm/crunch. Then I boost up with a tube screamer or Xotic SL Drive for leads.

It seems I'm doing most gigs these days with humbuckers, so I end up treating channel 3 as a my 'lead' gain sound using the MKIV voicing. Generally speaking, I'm not really using any more gain, but I will use it for a bit of a volume & mid boost with a little bit of a low cut.




I love having the IR loader built in. I didn't care for any of Mesa's stock IR, so I replaced them with some 3rd party IRs.

I have one real complaint with the Mark series, in general. I wish the channel EQ was post, and the graphic EQ was 'pre'. I feel like this would allow the channel EQ to help shape the overall tone of the amp. Then the EQ could be switched in/out as a lead boost or something. As it is, the only way I've been able to find my sounds is to leave the graphic EQ engaged 100% of the time. And I barely touch the channel EQ, because as you know - it tends to do very ugly things, especially in higher gain applications.


MIDI implementation could be a little more advanced. It'd be awesome if we could actually program complete presets. Or use it to switch the individual channel voicings. As it is, the MIDI can basically be used to do what the standard 6-button footswitch does (EQ, FX Loop, Reverb, Channel 1, Channel 2, Channel 3). That's not nothing. But I'm spoiled by Fractal in this regard.

Speaking of the footswitch, it uses a really annoying 7-pin MIDI cable. Yes, you can use a standard 5-in cable, if you're willing to give up the LEDs. They can be modified to use a battery, or an external power supply, but who wants to do that? I wish they'd included a battery clip or 9V power connector as standard. So I run mine without LEDs. I'm only using it to change the amp channels, and I have the LED's on the amp itself that I can look at.

But overall, mark 7 is very well thought out, and works great. I started with a IV, then a V. The 'cab clone' in the V is sort of what started me on the path to Fractal. Being able to run it direct was great. While the original 'cab clone' was a far cry from what we have access to these days, it was still great to have, and opened a lot of possibilities for me.

I've never owned or plugged into a real IIC+, so unfortunately I am unable to vouch for the accuracy of that voicing. I personally don't like the IIC+ voicing in the amp, but I also haven't bonded with Fractal's IIC+ model either (they sound very similar to my ears).




With all of this said, I have been using FM9 for almost every gig this past year. I only use amps for my Replacement tribute band plays (it seems kind of "wrong" to play punk royalty though a modeler, lol). But it also feels a little 'wrong' to do Westerberg through a high-end fancy 3 channel mega amp, lol.



I usually use an I'm trying to decide I'm planning to play the boogie next weekend when we play KC.
 
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