Jason Scott
Fractal Fanatic
If multiple IR's was the be-all-end-all affecting realism, then the Headrush and Helix would sound just as realistic as the Axe-Fx III.
Frequency amplitude and time alignment are two different, but inter-related things. Two different mics can be in phase (time aligned), and still sound completely different. A 57 and a 121 will never sound the same without some outside EQ treatment. Their blended tone won't sound like either one by itself.If the IR’s were 100% phase coherent then with two IR’s totally in phase you would have a slight increase in volume only, no additional character would be imparted (like 2 identical or near identical IR’s).
Also if an IR was altered or transformed beyond the “time alignment” to be perfectly phase aligned I’d imagine the result would be more like a quite plain eq curve (I think the smoothing parameter does this?) without the random part that makes them sound different and interesting. It would allow for absolute perfect phase alignment through the frequency spectrum though.
Edit - Also happy to be educated otherwise, it has been many, many years since I studied this material.
Exactly, and if you use multiple IR's in a Helix or HeadRush, it will sound every bit as realistic as the Axe-Fx III. For that matter, Two Notes Genome can use up to 20 IR's, thus it sounds the most realistic.Sure and if you install Windows 11 on a Commodore C64 it will be as fast as on a modern PC
Not the point.But not the basis, e.g. amp algorithms and CPU power are different. The result is not the same.
So this was an academic discussion, not at all about actually finding a better solution?Please refer to the remarks in first post. It's just a title to motivate you for this discussion. From my point of view it's really interesting to read your arguments.
I think your assumption here is that 1 IR = 1 mic/cab. But a single IR can be 100 cabs/mics blended into one if whatever software you use to do that is capable of it.I think the theory does not exclude practice but rather is the basis for it. The probability of achieving a good sound probably increases with the combination of IRs, but it can also fail. I still think 4 IRs should be the maximum. But just 1 IR is probably often not enough.
I think the theory does not exclude practice but rather is the basis for it. The probability of achieving a good sound probably increases with the combination of IRs, but it can also fail. I still think 4 IRs should be the maximum. But just 1 IR is probably often not enough.
There's also Tone Match, which can capture the sound of multiple IR's.I think your assumption here is that 1 IR = 1 mic/cab. But a single IR can be 100 cabs/mics blended into one if whatever software you use to do that is capable of it.