macfly
Inspired
I'm now about 3 months into tweaking the AX8. While I feel like I have it set up so that it sounds great, I have one remaining thing to tweak out. I have set up out 1 for FOH and out 2 for IEM. I started from Austin Buddy and tweaked out 1 to sound great on my CLR. Soundman and a couple of guitar players offered unsolicited compliments on tone, but soundman says that my solos are not boosted.
I have a Null Filter block near the end of the chain (there's a PEQ behind it) set for a 4dB boost with lowcut set at 100 and hicut at 6500.
Out 1 and the PEQ are devoted just to the CLR and FOH. They are set both to sound good and to minimize feedback. The hi and low cut on the Filter block are because boosting level at the gain I'm getting from the amp and pedal, the low end got woofy and the top end had some shrillness in places.
That solo boost is loud AF in my earbuds and sounds just like I would have it on an amp when I listen to the CLR in the room. I'm right on the edge of microphonic feedback if I turn the guitar to the side (with the monitor behind me), so I don't really know what else to do. I have the gate at the input and another right behind the cabinet...not sure that's the right placement, nor that my settings on the gate are optimal. The gate does help the microphonic feedback from running away if I mute the strings.
What do you guys think? (Attaching the preset if that helps--solo is scene 4)
I have a Null Filter block near the end of the chain (there's a PEQ behind it) set for a 4dB boost with lowcut set at 100 and hicut at 6500.
Out 1 and the PEQ are devoted just to the CLR and FOH. They are set both to sound good and to minimize feedback. The hi and low cut on the Filter block are because boosting level at the gain I'm getting from the amp and pedal, the low end got woofy and the top end had some shrillness in places.
That solo boost is loud AF in my earbuds and sounds just like I would have it on an amp when I listen to the CLR in the room. I'm right on the edge of microphonic feedback if I turn the guitar to the side (with the monitor behind me), so I don't really know what else to do. I have the gate at the input and another right behind the cabinet...not sure that's the right placement, nor that my settings on the gate are optimal. The gate does help the microphonic feedback from running away if I mute the strings.
What do you guys think? (Attaching the preset if that helps--solo is scene 4)