I've played my RCF NX 12SMA right next to a 100watt Marshall Anniversary Head and a Marshall 412. It more than 'compared' to the rig Jeff was using. It actually freaked him out a little. It's not a battle though; he could be louder and there's no debating it. If it is only a battle of sheer volume, he'd 'win'. But it is not a competition for volume; in fact quite the opposite.
My current bandmate uses an Egnater Rebel - it's a $1200 112 combo. It sounds great, no question. But...
My tones didn't 'wash out' or need tweaking or any of the other stuff folks like to post when directly comparing a conventional analog rig to a FRFR rig. I'd not trade my rig for his in a million years; I like my Marshall stuff from the Axe-FX better than the actual amp because I've dialed it the way I prefer it. If you can't keep up with a half stack... or a 212... with two of these boxes... man, I dunno. Two of these would crush other rigs. Mount them on stands and get them projecting... you might hear it very differently.
FRFR is not 'amp in the room' it never was, it will never be. I don't hear 'amp in the room' as the ideal though. Not anymore. And no amp in the room can compete with what I can do with a few taps and switches on my midi controller either. It's time to flip the script - let's see someone with a "real" cab and amp even come close to having what I have at my disposal. Mic that 'real' cab up and put it in the FOH and lets step out in front and hear what I bring and what the 'real' amp/cab can bring. In a show for my rock/country band I'll bring a 12 string acoustic/6 string acoustic/DADGAD tuning and full on electric tones (via my JTV-59USA and PRS Custom 22) on either/Fender/Marshall/Vox/Matchless/Trainwreck/Bogner Shiva/Bogner XTC/Cameron/Mesa Recto and a myriad of effects tailored, in tempo and perfectly mixed on the fly with expression pedals to the party. And it is a party. No one with even a massive pedal board and a half stack can touch it for sheer versatility and full on amp tones minus all the bells and whistles. I might not sound exactly like his Marshall, but I really don't want to. I want my Marshall tones to sound like MY Marshall tones.
Sorry Grape, I see it; scratch that. I hear it 180 degrees differently.