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I had QSC K10 that I liked for live use- but when I went direct in a recording studio I discovered how colored the monitors were. All my patches were a bit thin and brittle sounding.
I tried the high pass, but all that did was make my patches going out to FOH have too much bass. I prefer the filter in the cab block, and I stand mine up. Some stages are boomier than others as well, with any cab.
I just tried out a K12 today. It's the first time I've run my Axe through a powered monitor. So while I don't have anything to compare it to, I can say I liked the sound overall. I did end up turning down a lot of Bass EQ, even on top of a cab lo cut of around 120hz. Once I did that, I felt the my patches sounded quite good. I would love to compare to something else.
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