I think the outcome is predictable. Since the axe 2 so many amp models heve been added. Even if Cliff added 50 more tomorrow the outcome of a new poll would be the same. He adds a new amp, everybody on the forum goes bananas (me included) a week later..all is quiet. New amp or pedal is added, history repeats itself. I myself am more than happy with the axe as it is. Stll, I check the forum and every time hope we have an update and it is Christmas again.gas gas gas..
I have one I'd be willing to lend Cliff if he wants to do the thing.
So I went home for lunch and explored this a bit. This definitely helps, at least it gives me the ability to pull up 4 different tempos per preset. I set a switch in my fx layout to increment that block and wrap, and I set some standard tempos, ie. 89, 100, 120, 128 I think. As long as I'm not using a preset for more than 4 songs where the tempo matters, this definitely helps, but still doesn't really get me to where I'd like. Because I have to pull up the preset and then navigate to the correct controller block. It's something, at least.
Nothing personal, but #doNotCare.
I think it’s psychological, like “holy shit, I now own another legendary $3500 amp and I didn’t even pay for it”. The perceived value of the unit increases with every added model/effect/cab. But you make a good point, we probably have all we need and should focus more on tweaking what we already have.
I tend to perceive the value more in what I use vs what is available in the unit. More specifically, what I can fit into my live kitchen sink preset. Amps I used to use and removed from my live preset feel like amps I sold. Other amps feel like amps on the floor room of the store, some of which I have tried, and others I haven’t. Of course, being able to trade all that gear for free and with zero work is a huge plus.
Maybe it's just me, but when I'm trying to get a sound that I hear in my head (or hear in a recording I'm trying to emulate), I hear Fender-ish, Vox-ish, Marshall-ish, and Mesa-ish tones. We already have many multiples of each of those four basic amp types. The circuitry that gets me to one of those tones is the farthest thing from my mind. But then again, I don't know any of the nuances of amp circuit design like some guys here do.
This is an assumption.
I really like Krispy Kreme donuts
But would a dedicated block with 4 channels help then? Sounds more like you need a way to switch through N-tempo settings.
Not really and this topic has been previously beaten to death... Cliff said he's not interested.
Right... So basically a completely non-functional update.
Lot of holes in your response there, so the donut metaphor was apt.
So if you could get all those sounds from an existing amp model, why do you feel you need an amp model that says "this is the model of my favorite amp"?
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