MetalLizardJesus
Member
Proceed as follows (using Reaper, but I'm sure you can do the equivalent in anything better than Windows Sound Recorder):
- Create a Guitar DI track and set it to get input on In 1 L, i.e. from the Fractal Input 1 port,
- Turn off Record Monitoring so you don't hear the DI while recording takes,
- Set up a decent tone that you can use to record your take(s) and record to Guitar DI track,
- Once you have the DI takes set:
- Setup - Input Config - Input 1 - Source to USB (Channels 3/4),
- Change this back to Input 1 every time you want to record a new take
- This will rewire the Fractal so it will feed your In 1 block from the USB instead of the physical Input 1. I'm on FM3 so this seems to be the only option but I have a hunch that on FM9 or Axe you can instead use In 2 block or something else for the same purpose and not have to lose the regular In 1 function for the duration of reamping,
- Now add a Hardware Send to the Guitar DI track and set it to OUT 3, which will corespond to In 1 block as we configured it in step 4 above,
- Also configure the send to Pre-Fader (Post FX) and lower the track's main fader so you don't hear the DI while playing back the track,
You are totally right , this is much better than using the looper. I have tried this and it definitely works, BUT, I use my FM9 as part of my streaming setup 3 times per week (the routing is kinda complex, but all monitored directly through the FM9 headphones, so no added latency from the interface). And using this method would mean every time I want to record something (which is often enough) I would have to re-wire my setup, reconfigure my VM settings then do it again come stream-time. For a lot of people this wouldn't be an issue, but I am very much a "set and forget" guy. Once I have my main setup configured, I just want to sit down and play when it's time to play.
It's a complex issue. A lot of people on here say they don't notice ANY latency at all. Others bring up the "stand x meters from your speaker and its the same as x latency" argument. But if that was the case here, as I'm using headphones with both, I would assume the latency would feel the same on both (or less on the fractal if it is better/faster than everything else). I assume plugins have the best latency simply because they have much more processing power behind them/the ability to alter your buffer size to be as low as possible.That sounds suspicous. You should perhaps look into it because AFAIK the FM9 should perform as good or better than anything else you might have tried latency wise.
I think it's manageable for the most part, but it really starts to become an issue on higher bpm stuff.
It's more than possible that I just have no idea what I'm doing. But the issue is the same even on the "professional" tones that I bought just to try and see what others are doing. I've found that most of the "secret sauce" elements that I like to use for a crisp metal tone, are the things that add extra latency on the FM9 and I've found no real way around it. If I use a pre compressor and a post multiband comp, its too much already even before thinking of adding a drive.
I debated upgrading to the daddy Axe-Fx3, but a) I couldn't be CERTAIN that I'm going to get exactly what I want, and b) for that price I think I'd rather just buy a 5150 and a Torpedo Captor X and use the FM9 in the effects loop, get the best of both worlds, great effects and the lowest possible latency. Overkill I know, but since the day I switched to fractal 2 years back, it's the one issue I find that I just can't get past. Makes the guitar SOUND great, but makes me sound sloppier than I already am.
Also, nice playing!
Cheers dude! Started an Yngwie cover, then realised I couldn't play like Yngwie so had to simplify him haha
As I said, theres a good chance that I've not done something right, if someone thinks they can help me out, I'm happy to post presets/fm9Edit screenshots of settings (Will start a new thread so as not to hijack this one, sorry Mods/Admins x )