I use a PedalTrain Pro and use velcro. Easy - peasy, been using it and rolling this way (600+ gigs) over the years now with no issues.
I run 3 Mission Engineering pedals, their little Expression box/dial and the MFC.
Hi Scott - Can't wait to get a setup like this :encouragement: I have a few years of Line 6 experience. But, I am still a GREEN Fractalite
I'm on the list for an MFC, and plan to pick up some Mission pedals between now and when the Mark III becomes available. So I want to start imagining how to designing presets and blocks effectively.
E.g., I was wondering if you think it would be practical to use expression pedals for the following:
- to adjust the delay time to match the drummer's tempo changes on the spot or maybe it is much more practical to just keep using the tap switch.
- to change the delay mix/level from 10% to a denser delay mix/level to end off some of my solos - think Mike Stern when he ends certain high energy solos in a cloud of delay for echoing prior runs while he moves to the next run, etc., and then letting the delay decay over long sustaining notes - maybe an increase in reverb level is part of that. I do not know.
- to change the blend ratio between stereo cabs to fade between the different tonal colorations of different cab sims in real time (e.g., fade between the coloration of, say, a #20 2x12 Brit cab and a #131 Uber T75+V30 (V9) cab). I have no idea if this is possible and I am guessing that this may create level problems in the output.
Or maybe it would be much more practical to handle some of these parameters with scenes rather than expression pedals.
Can you share your insight or point us to the appropriate thread or resources on this expression pedal topic?
Thanks Scott!
EDIT: thanks for posting the "Taming the Monster - Series and Parallel Routing" video today. It made things like the mix law, setting levels, summing effects (and how to avoid them)
much clearer for me! Now I have a starting point for adding expression pedals to my presets.