It's stepped though, so even if the spacing is narrow, you really only have to worry about side-to-side spacing. Should be ok unless your feet are really wide. My Lexicon MPX-G2 feels narrow to me but I can still manage to hit the buttons on it, although it'd be easier if it was stepped. I so badly want to get rid of my MPX-G2.. I hate the buttons on that thing.. not due to the spacing, but because they misfire by not firing at all, or firing multiple times with one press.stilwel said:If I recall correctly...the MFC is 16" wide, roughly the same size as a Rocktron All Access, and can fit in a rack drawer, or on a sliding rack shelf. So, they are guaranteed to be closer than the switches on a GC Pro. The GC Pro has the widest spacing available on ANY controller out there....which I believe is 3.5" apart.
mortega76 said:..are you saying that this "10-key" will allow you to "dial in" any preset number by presumably putting it in "10-key" mode, then typing in preset "210" (SA!!!) and vioala?...how the hell are you going to remember where every single preset is?
What footswitch did you use with a 10-key mode?stilwel said:Some (most) of us consider the 10-key mode to be the "dark ages"....Setlists and Songmode are far easier to use...
Aaaaahhhh... now I get you... cover musicians... ok. I can see you guys using a hundred presets. So you would have your preset number(s) on the set list?solo-act said:mortega76 said:..are you saying that this "10-key" will allow you to "dial in" any preset number by presumably putting it in "10-key" mode, then typing in preset "210" (SA!!!) and vioala?...how the hell are you going to remember where every single preset is?What footswitch did you use with a 10-key mode?stilwel said:Some (most) of us consider the 10-key mode to be the "dark ages"....Setlists and Songmode are far easier to use...
Here's a question for all the footwitch/gigging experts:
How would you operate your footswitch if the following was true:
--You have a big songlist with a wide variety of styles (over 60 songs for instance)
--You have over 30 presets you use regularly
--The dance floor suddenly packs out on your first set, and during the song the band leader calls out a random song from your fourth set, or a song you don't regularly play, and you have to have that preset punched in and ready to go the instant this song is over.
--How many clicks/seconds will it take to have that preset ready?
--If you regularly had situations that called for random and instant access, would you have to change your current approach?
Maybe I'm wrong, but I think MOST cover musicians (with a wide variety of songs and lots of presets) need the ability to grab a random song out of thin air and have it ready before dancers leave the dance floor.
A midi footswitch with the right functionality is critical for that, and if you have an approach that does this as fast or faster than simply punching in "74" when you're on preset 03, I'm all ears.
solo-act said:mortega76 said:..are you saying that this "10-key" will allow you to "dial in" any preset number by presumably putting it in "10-key" mode, then typing in preset "210" (SA!!!) and vioala?...how the hell are you going to remember where every single preset is?What footswitch did you use with a 10-key mode?stilwel said:Some (most) of us consider the 10-key mode to be the "dark ages"....Setlists and Songmode are far easier to use...
Here's a question for all the footwitch/gigging experts:
How would you operate your footswitch if the following was true:
--You have a big songlist with a wide variety of styles (over 60 songs for instance)
--You have over 30 presets you use regularly
--The dance floor suddenly packs out on your first set, and during the song the band leader calls out a random song from your fourth set, or a song you don't regularly play, and you have to have that preset punched in and ready to go the instant this song is over.
--How many clicks/seconds will it take to have that preset ready?
--If you regularly had situations that called for random and instant access, would you have to change your current approach?
Maybe I'm wrong, but I think MOST cover musicians (with a wide variety of songs and lots of presets) need the ability to grab a random song out of thin air and have it ready before dancers leave the dance floor.
A midi footswitch with the right functionality is critical for that, and if you have an approach that does this as fast or faster than simply punching in "74" when you're on preset 03, I'm all ears.
Now there's someone thinking... except every song/preset is at my feet not just one set...AND I can actually choose any song at my feet at random and cue it up WHILE playing the current song.mortega76 said:Aaaaahhhh... now I get you... cover musicians... ok. I can see you guys using a hundred presets. So you would have your preset number(s) on the set list?
Is there more info available about:- 16 ga. steel chassis. "Stepped" design makes accessing buttons less error prone.
- 21 rugged stomp-style switches configurable as 10 preset and 8 IA or 5 preset and 13 IA. The other three switches are bank up, down and shift.
- Huge 20 character transflective LCD can even be read in direct sunlight.
- Six external inputs. Inputs can be configured as expression pedals or footswitches.
- 7-pin MIDI Out compatible with Axe-Fx phantom powering.
- Remote tuner capability.
- Axe-Fx mode reads preset name directly from Axe-Fx. No need to program preset name.
- MSRP $600. Actual sell price probably lower.
- Dimensions; 16"W x 10"H. (40 x 25)
- Switch spacing; 2.75" both directions.
Totally agree. Arranging 384 patches into 77 banks of 5 seems very clumsy to me, especially since the device itself isn't really designed around a bank architecture.solo-act said:No 10-key function is a deal-breaker for me. I'm not going back into the dark ages of stepping through banks/presets with + - buttons. A 10-key function would speed up the powerful edit/program functionality of the MFC-101 and it would kill for live use.