Armin
Inspired
Just found it:
Profiler | Keep up-to-date
Here is something about 'how it works':
Under the hood
In case you enjoy reading about technical details, below is a description of what the KPA is doing during the profiling process:
During the first phase, you will hear white noise with a rising amplitude. The KPA is now collecting data about the frequency response of the reference amp. The frequency response will change dramatically as the gain increases. This is how the KPA learns about the circuitry of the reference amp and the frequency response of the cabinet. Also, the characteristic impedance curve of the speaker, including its feedback to the power amp, is detected in fine detail.
In the next phase, slowly pulsating white noise is sent to the reference amp. The volume of the white noise is set to a level at which the reference amp starts to distort. This is how the KPA learns about the dynamic distortion curve of the tubes in the reference amplifier. Using this information, the KPA is able to recreate that curve with the highest possible accuracy. This is also true for transistor-based and digitally-modeled distortions.
In the third step, the KPA sends a complex tonal texture that follows a mathematically-based set of rules to the reference amp. This texture creates unique interference patterns that allow the KPA to take a “fin- gerprint” of the DNA of the reference amp’s particular sound. The distortion of the speaker, along with the partial pattern of the loudspeaker diaphragm (also known as “cone breakup”) are excited by this tonal mixture. They complete the characteristic interference pattern that the KPA will reproduce faithfully, once the measurements have been taken.
If the reference amp is clean, the KPA skips the third phase (because there is no distortion to be mea- sured).
Profiler | Keep up-to-date
Here is something about 'how it works':
Under the hood
In case you enjoy reading about technical details, below is a description of what the KPA is doing during the profiling process:
During the first phase, you will hear white noise with a rising amplitude. The KPA is now collecting data about the frequency response of the reference amp. The frequency response will change dramatically as the gain increases. This is how the KPA learns about the circuitry of the reference amp and the frequency response of the cabinet. Also, the characteristic impedance curve of the speaker, including its feedback to the power amp, is detected in fine detail.
In the next phase, slowly pulsating white noise is sent to the reference amp. The volume of the white noise is set to a level at which the reference amp starts to distort. This is how the KPA learns about the dynamic distortion curve of the tubes in the reference amplifier. Using this information, the KPA is able to recreate that curve with the highest possible accuracy. This is also true for transistor-based and digitally-modeled distortions.
In the third step, the KPA sends a complex tonal texture that follows a mathematically-based set of rules to the reference amp. This texture creates unique interference patterns that allow the KPA to take a “fin- gerprint” of the DNA of the reference amp’s particular sound. The distortion of the speaker, along with the partial pattern of the loudspeaker diaphragm (also known as “cone breakup”) are excited by this tonal mixture. They complete the characteristic interference pattern that the KPA will reproduce faithfully, once the measurements have been taken.
If the reference amp is clean, the KPA skips the third phase (because there is no distortion to be mea- sured).
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