Hi folks. Sorry I’m a bit late to the party, but I enjoyed reading this
very strange thread and wanted to throw in my two cents. The reason I see it as
strange is because I can’t think of anything more subjective than art (especially music), and in reality,
'the best' is just a matter of opinion. But, since this thread is just opinions anyway, I guess I’ll have some fun and give you mine... for what it's worth
(which isn't much).
I’ve been watching Guthrie Govan for a long time… and have also learned a lot from him
(he’s a very wonderful, gentle, humble man… and a fantastic teacher). But this thread is about GG being
"the best" guitar player alive today. If
'best' is synonymous with
'versatile'… it’s hard to argue against Guthrie being the best guitarist…
IF (and ONLY IF) one believes
“the whole” is greater than
"the sum of its
individual parts.”
Yes, he is amazingly proficient in many different styles/genres... more so than any other guitarist I've heard to date. However, if one takes each of those styles
(i.e. - “part”), he is less proficient than others who focus only on their own style
(i.e. - “part”). Perhaps the title of this thread could have been more appropriately named,
"Guthrie Govan Is 'The Most Versatile' Guitar Player Alive Today"… which is the conclusion many here seem to agree with, myself included. BUT... I don’t see
best as being synonymous with
versatile in many scenarios.
Let’s take
Allan Holdsworth (someone previously mentioned that Allan Holdsworth is only good at being Allan Holdsworth. PS - Unfortunately, the great guitar legend Mr. Holdsworth recently passed away, RIP… however, Allan was still alive when that comment was made, and when the OP was created... so I think it’s only fair to still include him based on those reasons). In that style of music, Allan Holdsworth eats Guthrie for breakfast, lunch, and dinner
(that’s not even taking into account AH’s unbelievably complex and beautiful chord voicing and intricate chord progressions).
If we’re talking traditional jazz, Guthrie can’t even come near the prowess of
Biréli Lagrène or
George Benson (not to mention even greater jazz guitar giants who have passed away... i.e. -
Joe Pass and
Wes Montgomery, RIP).
Gypsy jazz?
Stochelo Rosenberg would send him packing.
In the country style,
Albert Lee would essentially embarrass Mr. Govan, like
Albert did to
Steve Morse when they played together.
In rock,
Eddie Van Halen surpasses him by light years
(innovation-wise especially, along with his almost dance-like rhythmic phrasing in his solos, his historic iconic riffs, and of course... writing songs that appeal to the masses while simultaneously being a technical virtuoso and an innovative 'out of the box' guitarists' guitar player).
In neoclassical,
Yngwie Malmsteen blows the doors off of him. I even recall reading about Guthrie himself mentioning how Yngwie literally blows his mind and dazzles him. I believe Guthrie's exact words were,
"Yngwie is just ridiculous... every note he plays, no matter how fast, has a significant purpose and meaning."
I personally agree with Mr. Govan's assessment of Mr. Malmsteen in that regard.
Blues? Guthrie doesn’t have the feel of an all-out blues player who is soulfully engrossed in their style... and literally
"lives" the blues (there are too many to name here)... so again, no.
How about finger-style guitar?
Tommy Emmanuel,
Chet Atkins, and
Doyle Dykes would eat him alive.
I’ve never heard Guthrie play classical guitar, but I'm willing to bet the farm he’s no
John Williams,
Pepe Romero, or
(Paco de Lucia, who unfortunately passed away after this thread was initiated...RIP)
The only genre Guthrie Govan could likely tear to shreds in his own right
'at this very moment' with no additional practice or fine-tuning needed (if he so chose) is heavy metal (not talking about 80’s hard/glam rock or neoclassical). As great as some of those hardcore metal players are, I think it is safe to say that Guthrie could make mincemeat out of the entire lot of them with his eyes closed, guitar behind his head, and only using two fretting fingers (like Django
).
This is not to say that he doesn’t play all of these styles amazingly well, but, ya know... come on. A slice of butter thins out real quick when the slice of bread is too big.
So, is the whole
“really” greater than the sum of its parts… especially when it comes to influencing a great many people (musicians and non-musicians alike) in numerous ways, and/or being remembered in the annals of music history? My personal
“opinion” is no. That’s also my vote.