Hello everyone. I'm from Canada. I did look to see if there was an introductory section but couldn't find one. So hopefully its ok for me to introduce my self here.
I've been trying to break in to the modeling game for a while now. Happily played my tube amps live on stage for 45+ years. I did dabble in some processors (Roland GP16\D50) back in the late 80's\early 90's while with a touring band. But since then its been fairly simple with tube amps and pedals.
A couple months back I sprung for a Helix Floor from Long and McQuade. I spent lots of time with it for a few days and then returned it. I think the main thing I have to get my head around the fact that its different than tube amps. I have to concentrate on creating great sounding patches.
I also considered the Tonex but I think I want something more than just amp models.
In all my research and reading reviews I have never read a bad thing about the Fractal gear, other than steep learning curve if you want to get fancy. It seems to be almost universally agreed on that its the best sounding, closest in feel of tubes, of all the modelers. So I'm seriously considering a leap of faith in ordering an FM9 Turbo. I retire from my IT job in a few years and would like to get away from my independence on tubes that seem to be getting more and more expensive. My main use for the FM9 will be live stage, which I will probably use, initially with an EV ZLX 12" powered monitor until I get the hang of the unit and source maybe a better FRFR solution. I will likely also experiment with some recording as I have a decent set up. I'm not too interested in purchasing third party patches, etc. But who knows what the future brings. I'd like to get it gig ready the way it is and play that way for a while.
The band I currently play with isn't too serious so mostly small venues with sound coming off stage. Although every summer we do have a few fair gigs with soundmen that will have us FOH.
I thought about waiting for a used one to pop up in Canada but they aren't that expensive new so maybe I'll just spring for a new one. I will likely sell my Mesa Fillmore 50 and cabinet to help cover the cost (although not right away) and keep my other amp, which is a Fargen Double british classic 50 head and 2x12 cab. Although that amp is much bigger and heavier to haul to a gig then my mesa I can't ever see parting with it. I love that amp.
A couple questions:
Buying new is it worth getting the 3 year extended warranty as well?
If it does go down, does anyone know if there Canadian locations for repair, or does it simply have to be shipped back to the US?
What is the general reliability of these units?
I found the Helix floor pretty well built. Is the FM9 build quality equal or better?
I've been trying to break in to the modeling game for a while now. Happily played my tube amps live on stage for 45+ years. I did dabble in some processors (Roland GP16\D50) back in the late 80's\early 90's while with a touring band. But since then its been fairly simple with tube amps and pedals.
A couple months back I sprung for a Helix Floor from Long and McQuade. I spent lots of time with it for a few days and then returned it. I think the main thing I have to get my head around the fact that its different than tube amps. I have to concentrate on creating great sounding patches.
I also considered the Tonex but I think I want something more than just amp models.
In all my research and reading reviews I have never read a bad thing about the Fractal gear, other than steep learning curve if you want to get fancy. It seems to be almost universally agreed on that its the best sounding, closest in feel of tubes, of all the modelers. So I'm seriously considering a leap of faith in ordering an FM9 Turbo. I retire from my IT job in a few years and would like to get away from my independence on tubes that seem to be getting more and more expensive. My main use for the FM9 will be live stage, which I will probably use, initially with an EV ZLX 12" powered monitor until I get the hang of the unit and source maybe a better FRFR solution. I will likely also experiment with some recording as I have a decent set up. I'm not too interested in purchasing third party patches, etc. But who knows what the future brings. I'd like to get it gig ready the way it is and play that way for a while.
The band I currently play with isn't too serious so mostly small venues with sound coming off stage. Although every summer we do have a few fair gigs with soundmen that will have us FOH.
I thought about waiting for a used one to pop up in Canada but they aren't that expensive new so maybe I'll just spring for a new one. I will likely sell my Mesa Fillmore 50 and cabinet to help cover the cost (although not right away) and keep my other amp, which is a Fargen Double british classic 50 head and 2x12 cab. Although that amp is much bigger and heavier to haul to a gig then my mesa I can't ever see parting with it. I love that amp.
A couple questions:
Buying new is it worth getting the 3 year extended warranty as well?
If it does go down, does anyone know if there Canadian locations for repair, or does it simply have to be shipped back to the US?
What is the general reliability of these units?
I found the Helix floor pretty well built. Is the FM9 build quality equal or better?