sskkmm
Power User
Last night was my last gig with JD & The Rhythm Section - very bittersweet because this has been a fun band! Low drama and stress, fun groovin tunes, & etc. Because of the music I normally just take a small amp and a couple pedals - we play blues and soul mainly with a bit of Bonnie Raitt and Susan Tedeschi or Pretenders thrown in every now and then. But I decided to take the big rig because - well, why not? And I have been LOVING the II for so long but had only used at practices up until now (mostly due to laziness of setting up a couple presets!).
So glad I did.
Pretty much stayed on the Tweed Deluxe with a bit of Plexi thrown in for some of the more rockin' tunes. Used a couple scenes and effects on/off like Tremolo and Boost for leads. Had my Xitone active wedge on stage but really didn't need it - sound guy took XLR out and I had plenty of sound from monitors on the floor in front of me.
Here's an excerpt from "Chain of Fools" and i used the virtual capo in the Pitch block to take my guitar down to C for the baritone part.
Working through the video now to see what else might be good.
Anyway, flawless performance (by the Axe-FX III - I have other excuses) and I remain a happy customer.
Here's another:
And the Plexi on a cover of a Raitt cover of a Robert Palmer song...
So glad I did.
Pretty much stayed on the Tweed Deluxe with a bit of Plexi thrown in for some of the more rockin' tunes. Used a couple scenes and effects on/off like Tremolo and Boost for leads. Had my Xitone active wedge on stage but really didn't need it - sound guy took XLR out and I had plenty of sound from monitors on the floor in front of me.
Here's an excerpt from "Chain of Fools" and i used the virtual capo in the Pitch block to take my guitar down to C for the baritone part.
Working through the video now to see what else might be good.
Anyway, flawless performance (by the Axe-FX III - I have other excuses) and I remain a happy customer.
Here's another:
And the Plexi on a cover of a Raitt cover of a Robert Palmer song...
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