lqdsnddist
Axe-Master
Had both, kept the Axe II. While I don't use too many crazy patches, dual amps all the time etc, I found that I often was hitting the CPU limit a lot of times. Certainly there are things one can do to reduce CPU, switch to lower quality reverb etc, but on the II its really nice because I never really had to worry about those things.. Just created what I wanted and almost always had CPU to spare
Additionally, USB over audio is so darn nice (and fun). Just plug in one cable and I can record tracks to my DAW, I can reamp tracks to check out different settings with the DI track etc, and its all built in and that single USB cable does it all. On the AX8 you've got to run cables into the PC audio interface, its tougher to record DI and processed together etc. This was a pretty big one for me, its not about having an audio interface or budget, I have plenty, its just about ease of use and the easier it is to record something, the more I'm going to do it.
Last but not least, I really love the bias tremolo in the amp block on the II. To my ears its a more pleasing sound than using the tremolo block, more natural and organic. Its a feature I found missing on the AX8
While the AX8 form factor is great too, I have to say my MFC takes very little space too. I have the Axe II in a 4 space Gator case and it can sit off to the side of the stage, out of the way. Only thing taking up any stage space is the MFC, and it gives more control, and bigger LCD so I can read the patch name easier. I feel its also far more rugged in the event someone was jumping around on stage (not really my style music these days) like a drunk fan. Accidently step on the MFC, you'll have a patch change. Have someone step on the AX8 and you might get a patch change, or you might have the control knobs busted. Same goes with a spill.... Plus, with the AX8 I had to run cables for power, and also for sound. With my MFC its just the single ethernet cable (I don't have the XLR option as mine is older) so its a bit less as far as cords goes. Not a huge difference, but I like patching in the FOH sound, my direct monitor when I use the CLR, the mains power etc to my stage side/back MFC case
Additionally, USB over audio is so darn nice (and fun). Just plug in one cable and I can record tracks to my DAW, I can reamp tracks to check out different settings with the DI track etc, and its all built in and that single USB cable does it all. On the AX8 you've got to run cables into the PC audio interface, its tougher to record DI and processed together etc. This was a pretty big one for me, its not about having an audio interface or budget, I have plenty, its just about ease of use and the easier it is to record something, the more I'm going to do it.
Last but not least, I really love the bias tremolo in the amp block on the II. To my ears its a more pleasing sound than using the tremolo block, more natural and organic. Its a feature I found missing on the AX8
While the AX8 form factor is great too, I have to say my MFC takes very little space too. I have the Axe II in a 4 space Gator case and it can sit off to the side of the stage, out of the way. Only thing taking up any stage space is the MFC, and it gives more control, and bigger LCD so I can read the patch name easier. I feel its also far more rugged in the event someone was jumping around on stage (not really my style music these days) like a drunk fan. Accidently step on the MFC, you'll have a patch change. Have someone step on the AX8 and you might get a patch change, or you might have the control knobs busted. Same goes with a spill.... Plus, with the AX8 I had to run cables for power, and also for sound. With my MFC its just the single ethernet cable (I don't have the XLR option as mine is older) so its a bit less as far as cords goes. Not a huge difference, but I like patching in the FOH sound, my direct monitor when I use the CLR, the mains power etc to my stage side/back MFC case