DaveO
Axe-Master
is that from the ren and stimpy cartoon?Pretty much makes my point (and @Postretro's), though, which was:
IRs != cabs.
Re: the horse:
View attachment 83919
is that from the ren and stimpy cartoon?Pretty much makes my point (and @Postretro's), though, which was:
IRs != cabs.
Re: the horse:
View attachment 83919
Yup.is that from the ren and stimpy cartoon?

I was shooting for a coffee-through-nose reaction, but I'll take spit-out-pancakes....Thought I recognized them, I was eating breakfast and almost spit out my pancakes when I saw it... ha ha ha...
Correct. I just pulled my FM3 out of my gig bag and it looks like (assuming it didn't get moved during transit) the output knob is between 2 and 3 o'clock. So it's a little louder than I'd normally have my Output 1 on my Axe Fx III, but no drastically different, like I was expecting based on some of these comments. I'm gonna pop on over and see if it's addressed in the beta 2.You were using Out2 to the PA and the sound guy didn’t tweak the input gain a little?
Pretty much makes my point (and @Postretro's), though, which was:
IRs != cabs.
Re: the horse:
View attachment 83919

Correct. I just pulled my FM3 out of my gig bag and it looks like (assuming it didn't get moved during transit) the output knob is between 2 and 3 o'clock. So it's a little louder than I'd normally have my Output 1 on my Axe Fx III, but no drastically different, like I was expecting based on some of these comments. I'm gonna pop on over and see if it's addressed in the beta 2.
Not when using the Copy 1 function.
Also if you use Out 2 into the FX Loop of a tube amp and cab,
like I have been doing, it serves as the master/only volume control.
I use an frfr on each side of the stage and my out2 knob serves as my stage volume control. Everyone has their own way, but for me, having that control right ay my feet is pretty important...
This place is worse for my self-esteem than my freaking marriage!!You are still wrong IMO...

Not when using Copy Output 1...I was reading through the manual last night before bed to familiarize myself more with gain management. The manual stated that OUT 2 at full is unity gain. I had run my HX stomp that way too... and managed the gain internally.
Not correct. The behavior is different when using Copy Output 1.it’s a well known fact (and in the manual!) that Out2 will only provide Unity Gain if the dial is maxed out - Copy 1 or whatever is irrelevant here - Out1 will actually push past the point of Unity Gain and can quite easily overload an input.

It allows you to send the same output to both output 2 and output 1 without having to add an Output 2 block in your presets.So what is the actual point of Copy Output 1?
just to confuse matters??? Or does it actually have a point....
Mmmm. Pancakes.Thought I recognized them, I was eating breakfast and almost spit out my pancakes when I saw it... ha ha ha...
Has there been any talk of an updated manual?Also, pretty sure the current manual is well outdated for FM3. It's last update is for firmware 1.x... things have changed![]()
You are still wrong IMO...
I believe @la noise ’s point is that the amp model selection has a greater impact on the tone than the IR. I happen to agree with that. It’s just an opinion either way.
I suppose it’s probably scientifically measurable but that’d be silly as it’s incredibly unimportant. The fact is that the IR does have a major effect on the tone. Whether that effect is more, less, or the same amount as the amp model is of zero consequence for all practical purposes. The takeaway should just be, “The IR can have a huge effect on your tone. Don’t neglect it when building presets.”
Case in point - the AxeFx3 factory preset for the Suhr Badger 18 sounds ok. Swap in an AC30 2x12 and the matching impedance curve, and it wakes right up, jumping up onto my list of favorite amp models....The improper speaker can completely neuter a great sounding amp.