This is my main patch for my FireHouse gigs. As you can see, it's pretty simple:
Scene 1 is for super sensitive legato lead playing & scene 2 is for rhythm & lead. The only difference between these 2 scenes is that scene 1 has the tube screamer on.
Scene 3 is the same as scene 1 except it kicks in a pitch block for the solo for "Over Night Sensation". (We're tuned down a whole step BTW.)
Scene 4 is my clean sound.
Scene 5 is what I use for the intro to "Reach For The Sky". In the studio, I recorded a 1/2 speed track which when sped back up to 30ips, created that octave above sound. I really like the way the Multi Delay sounds, so I'm using that.
Thanks FAS! I LOVE your gear… Bill Leverty
This preset is intended to be Dark Sounding? i tried my brightest guitar and it was still dark enough compared to the firehouse album tone.
This is my main patch for my FireHouse gigs. As you can see, it's pretty simple:
Scene 1 is for super sensitive legato lead playing & scene 2 is for rhythm & lead. The only difference between these 2 scenes is that scene 1 has the tube screamer on.
Scene 3 is the same as scene 1 except it kicks in a pitch block for the solo for "Over Night Sensation". (We're tuned down a whole step BTW.)
Scene 4 is my clean sound.
Scene 5 is what I use for the intro to "Reach For The Sky". In the studio, I recorded a 1/2 speed track which when sped back up to 30ips, created that octave above sound. I really like the way the Multi Delay sounds, so I'm using that.
Thanks FAS! I LOVE your gear… Bill Leverty
Hello Bill, thanks for sharing the patch ,also my neighbor is Nathan Warstler ,does that name ring a bell ? he built your guitars when he worked at Yamaha , I absolutely love your tone and your playing is phenomenal... im looking forward to trying this patch , have a great day sirThis is my main patch for my FireHouse gigs. As you can see, it's pretty simple:
Scene 1 is for super sensitive legato lead playing & scene 2 is for rhythm & lead. The only difference between these 2 scenes is that scene 1 has the tube screamer on.
Scene 3 is the same as scene 1 except it kicks in a pitch block for the solo for "Over Night Sensation". (We're tuned down a whole step BTW.)
Scene 4 is my clean sound.
Scene 5 is what I use for the intro to "Reach For The Sky". In the studio, I recorded a 1/2 speed track which when sped back up to 30ips, created that octave above sound. I really like the way the Multi Delay sounds, so I'm using that.
Thanks FAS! I LOVE your gear… Bill Leverty