giantslayer
Experienced
Legacy #54 4x12 PRE-ROLA 55 M160 (ML)
Edit 11/24/23: I’ve switched to dynacabs, Ribbon mic at 20cm.
Edit 11/24/23: I’ve switched to dynacabs, Ribbon mic at 20cm.
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Every time I find a great IR or IR combo, I put it up against a combination I found that @austinbuddy put together in one of his Naked Amp presets. It almost always wins out. The nice thing is it's all factory IRs.
+1. I also ended up buying a more recent ML Sound pre-Rola cab pack, as I love the 75 Hz Celestions as well, and I like the subtle differences between the heavy duty and standard cones. Also like OwnHammer a lot, but somehow Mikko records his IRs in a way that I get recognisably very close to tone of cabs that I have owned, loved, and sold (for huge multiples of what I paid for them in some cases).Legacy #54 4x12 PRE-ROLA 55 M160 (ML)
Thx Man, I think You dont need 5156161717 IR's my metal pack + rock pack with ir inside is enough And You have also presets hahaha.
Stay Metal!
I have come to rely on the newer York Audio IR's they are the best.I'm curious to see (and hear) what everyone's favorite IRs are. I keep finding myself gravitating toward Leon Todd's LT TV Mix 2 IR but I want to try getting some tones with some of the factory IRs in the Axe-FX III. So far, I really enjoy the 5150 Factory 2 #340. I use that with the Friedman HBE V3 with minimal tweaking and it sounds amazing both through my studio monitors and my band practice rig. Great for high-gain rock chugging. Please drop your favorite Factory cab and its number below! I could also use some recommendations for clean/shimmery IRs as I like to play everything from Metallica to dream pop/shoegaze.
That's good to know. We started from similar points to one another, and I hadn't tried the ribbon in Dyna Cabs yet. I think all my everyday (and easily most used for live) presets are still set with purchased OH and ML IRs, but I've been finding Dyna Cabs gets me where I want to be much faster than the endless IR auditioning used to.For my go to « Marshall that can play everything » tones :
before dynacab : legacy #60 and #61
Now dc 1960tv with the ribbon. So clear and alive.
Do you guys remember the IR: TheOne ?
where does one find 'TheOne'? do tell!That’s my GO TO for vintage VH!!!
I'm a relatively new Axe-FX III user, but I've been trying to test all sorts of amps and cabs over the past month or so. Over the past couple of weeks, I've been focusing on finding a cab that could work equally well with all kinds of amps/gain stages, and the absolute best I've heard (at least so far) is the ribbon 1960TV dynacab.For my go to « Marshall that can play everything » tones :
before dynacab : legacy #60 and #61
Now dc 1960tv with the ribbon. So clear and alive.
I just tried your exact settings on my 1959 presets. Sounds really great! I just ended choosing Dynamic2 instead of one and Just a high cut at 8K.I'm a relatively new Axe-FX III user, but I've been trying to test all sorts of amps and cabs over the past month or so. Over the past couple of weeks, I've been focusing on finding a cab that could work equally well with all kinds of amps/gain stages, and the absolute best I've heard (at least so far) is the ribbon 1960TV dynacab.
It's the foundation for the cab mix I've currently got as my #1 option, which also contains a bit of the dynamic 1 mic on the same cab: ribbon pos 7.08, dist 8.03 (0 db); dynamic 1 pos 2.85, dist 6.90 (-3.82 db)
I'm normally on the bridge pickup of my Reverend Kingbolt RA with the bass contour all the way down. I like the bright sound, but at the same time I don't want the highs to get too out of control. The 1960TV is great at allowing my favorite clean tones in the III (especially low-gain sounds from the Texas Star) to sparkle a little bit without harsh pinging as I get high up the neck on the B and high E strings. I haven't really settled on a favorite amp for overdriven/crunchier sounds yet, but the 1960TV also seems to easily handle anything gainier I've thown at it.
When I first got the Axe-FX, I was extremely excited about the possibilities of mixing and matching cabs to amps, but now I think I may just end up with the 1960TV as my go-to for almost everything!