EV PXM 12MP Comparision Review with Pics

MKeditor

Experienced
CONTEXT: I had a pair of FBT Verve 12ma's that served me well for years. Some didn't like them at all. I did. But I dropped one a couple of years ago which caused a nasty buzzing like speaker was blown. In looking to replace the speaker, I learned the speakers had been long discontinued. Finding a stray in some corner of the world would be extremely difficult. Luckily, an audio specialist friend of mine determined the magnet and voice coil were out of alignment causing it to rub. He loosend the screws and with a mallet realigned the magnet with the cone. It fixed the problem but if a speaker failed there would be no support from FBT. That kind of vulnerability is unacceptable to me. That's when I bought a pair of Atomic CLRs because they were held in high regard and ATOMIC is a US company.

The CLRs were very good but they weren't magic. The sky did not part and the angels did not sing with golden rays from heaven. They sounded different than the FBTs. Of course my presets sounded better on the FBTs because they were created on them. With a little tweaking they sounded great through the CLRs.

Guitar tones are way too subjective to be a good barometer for how true/flat a speaker is. I play MP3s through FRFR. It immediately reveals significant coloration. It's not scientific but it works for me.

Recently one of the amps in my CLRs died. This is happening for a lot of people. There are plenty of threads / comments of the same problem. I was very sad to learn that support from ATOMIC takes ages. Some have waited as long as a year. They make a great product but I can't sit around for a year. So I bought an EV PXM 12MP.

CLR vs EV:

The EV sounds different than the CLR. Surprise, surprise. Out of the box the EV is not as flat as the CLR. The EV has various settings and controls. It took a good while to find settings that were flat to my ears. It's a pain in the ass to keep lifting the EV on its side to tweak the parameters. Of course once it's all set, you never need to do it again. It just would have been nice if EV would have created a setting that was flat. It seems like the modes are emphasizing certain frequencies to sweeten. Nevertheless I have it at a point that sounds great. The CLR is a tough act to follow. It sounds fairly true to my ears. It doesn't have all the bells and whistles of the EV but that's okay. I actually prefer it being stupid simple. Nevertheless the EV has several significant advantages. It's at least 10 lbs lighter than my 1st gen CLR. I like the smaller footprint and lower profile of the EV. The CLR is a beast. You can buy the EV from a range of sources. I bought mine from Sweetwater. From what I've read, EVs support is solid. More advantages listed in the pros and cons below.

At the end of the day both sound good. No one in the audience will ever perceive the difference. None of the FRFR offerings will sound 100% like the PA. There will be a small amount of difference that will be at least the same or greater than these two monitors.

This is not a final conclusion. It's a first impression. Tonight I have rehearsal and a gig on Sunday. I'll report back my findings.

EV Pros:
Smaller
Lighter
Lower price
Front Pilot light
Support from a major US company
Readily available

EV Cons:
Requires tweaking
Controls/jacks on side

CLR Pros:
Balanced sound out of the box
Nice dispersion
Controls/jacks on back

CLR Con:
Unavailable
High price
Poweramp is an Achilles heel
Support is slower then a three-legged, asthmatic mule.
Big footprint

MY EV settings:

Mode - Monitor 2
Treble +5
Mid 0
Bass +4
Sub off
Feedback off

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Good report. It's interesting to hear you say that you thought the EV didn't "sound flat." I did a white noise comparison (Josephson test mic into Apollo Twin and ProTools spectrum analysis) against my Adam A7Xs, and that confirmed what my ears had heard: neither one of my EV's required nearly as much EQ as yours did to get very close to flat in the on-it's-side position raised on a pole in the same room. I think I'm actually down slightly (-1 or -2 on both bass and treble IIRC). I also was not using the monitor mode.

I had two different versions of the CLR, neo and non-neo. I really wanted to like them. I'd spent a lot of coin, after all. I think the EV's dispersion is just as good if not better, and I find it to be closer to both my sets of studio monitors than I could get the CLR to sound. When I compared both at a distance, they were more similar, but the EV had a more consistent sound from up-close to 20' away.

The one caveat I'll add to this is that the lightness of the EV seems to come at a price: cabinet resonance. In my other thread I posted some pictures about some easy cross-bracing I put in mine that helped a lot in that regard.
 
Good report. It's interesting to hear you say that you thought the EV didn't "sound flat." I did a white noise comparison (Josephson test mic into Apollo Twin and ProTools spectrum analysis) against my Adam A7Xs, and that confirmed what my ears had heard: neither one of my EV's required nearly as much EQ as yours did to get very close to flat in the on-it's-side position raised on a pole in the same room. I think I'm actually down slightly (-1 or -2 on both bass and treble IIRC). I also was not using the monitor mode.

I had two different versions of the CLR, neo and non-neo. I really wanted to like them. I'd spent a lot of coin, after all. I think the EV's dispersion is just as good if not better, and I find it to be closer to both my sets of studio monitors than I could get the CLR to sound. When I compared both at a distance, they were more similar, but the EV had a more consistent sound from up-close to 20' away.

The one caveat I'll add to this is that the lightness of the EV seems to come at a price: cabinet resonance. In my other thread I posted some pictures about some easy cross-bracing I put in mine that helped a lot in that regard.
Would some baffling help with the resonance issue?
 
Thanks for the comparison. I had a CLR NEO. After a couple of years, the amp on start up let out a blood-curdling scream that almost gave me a heart attack. Repair took 5 months. Great sounding FRFR but not worth it IMO. I've since replaced the CLR with a Xitone 12" Active Wedge.
 
Hey Michael, nice update. As you may recall I have the baby FBT verve 8ma’s, which still work and sound great and I have them set up for stereo in my studio. Playing at church I have opted for mono.

While still owning the FBT’s I also bought a Xitone 12" active wedge, it works great, however……….

..... for some strange reason I started looking at Quilters – Pat Quilter is the Q of QSC. I ended up getting a Quilter TB202 with their Blockdock HD and have been very much enjoying it. It is light (less than 25lbs), powerful (200watts), with a creamy clean pallet to run my FM9 through. There are 3 voicings on it. One is an FR setting, but also 2 settings that make it a very nice stand alone amp if wanted. I run various Fractal amps and cabs through the FR setting, but can use the Fractal effects through the other two voicings if I so choose.

I have lost any quest I may have had for the "perfect" FRFR speaker. To the trained ear there may be “better” setups, but at this point I am loving the light weight, convenience, reliability, quietness, and very clean pallet of the Quilter set up.

If you ever want to do a speaker shoot out, let me know, I would be happy to bring the Quilter to compare. I would be curious how it sounds compared to other options out there.

Blessings!
~ richard
 
Hey Michael, nice update. As you may recall I have the baby FBT verve 8ma’s, which still work and sound great and I have them set up for stereo in my studio. Playing at church I have opted for mono.

While still owning the FBT’s I also bought a Xitone 12" active wedge, it works great, however……….

..... for some strange reason I started looking at Quilters – Pat Quilter is the Q of QSC. I ended up getting a Quilter TB202 with their Blockdock HD and have been very much enjoying it. It is light (less than 25lbs), powerful (200watts), with a creamy clean pallet to run my FM9 through. There are 3 voicings on it. One is an FR setting, but also 2 settings that make it a very nice stand alone amp if wanted. I run various Fractal amps and cabs through the FR setting, but can use the Fractal effects through the other two voicings if I so choose.

I have lost any quest I may have had for the "perfect" FRFR speaker. To the trained ear there may be “better” setups, but at this point I am loving the light weight, convenience, reliability, quietness, and very clean pallet of the Quilter set up.

If you ever want to do a speaker shoot out, let me know, I would be happy to bring the Quilter to compare. I would be curious how it sounds compared to other options out there.

Blessings!
~ richard
Richard -- before I bought a Fractal, I used a Quilter Aviator 2x10 and then a MicroPro Mach II (8" + 12" HD extension cab). I still use the Quilter for rehearsals and some gigs, but at gigs I almost always use the FM3 with the Xitone. 1. How do you connect your Fractal to your Quilter? 2. What speaker(s) are you using? Thanks.
 
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Richard -- before I bought a Fractal, I used a Quilter Aviator 2x10 and then a MicroPro Mach II (8" + 12" HD extension cab). I still use the Quilter for rehearsals and some gigs, but at gigs I almost always use the FM3 with the Xitone. 1. How do you connect your Fractal to your Quilter? 2. What speaker(s) are you using? Thanks.

I am using the Quilter BlockDock 12" HD which is a 300w Celestion BN12-300S. I should probably do some A/B with my Xitone. I have tended to "feel" that the Xitone and my FBT's were a bit more sterile (neutral??) sounding (some people like that) than the Quilter set up. The quilter does have some coloration, but I like that coloration. "Creamy" I call it.

As for hook up, I have been just connecting my FM9 direct to the direct input. The TB202 does have effects in and out option, but I have not yet taken advantage of that. I am pretty simple, and it sounds good to me, and it is light and easy to set up.

I would love to see Quilter come out with a stereo 2x10 with an FR voicing. I used to have a Roland JC-40 that was pretty good, but a bit too sterile and icy for me. I get more warmth from the Quilter.
 
I am using the Quilter BlockDock 12" HD which is a 300w Celestion BN12-300S. I should probably do some A/B with my Xitone. I have tended to "feel" that the Xitone and my FBT's were a bit more sterile (neutral??) sounding (some people like that) than the Quilter set up. The quilter does have some coloration, but I like that coloration. "Creamy" I call it.

As for hook up, I have been just connecting my FM9 direct to the direct input. The TB202 does have effects in and out option, but I have not yet taken advantage of that. I am pretty simple, and it sounds good to me, and it is light and easy to set up.

I would love to see Quilter come out with a stereo 2x10 with an FR voicing. I used to have a Roland JC-40 that was pretty good, but a bit too sterile and icy for me. I get more warmth from the Quilter.
Yeah, I think you try a 4 cable method with modulation in the FX loop of the Quilter you'll be amazed how much better it sounds. The HD is a pretty neutral speaker so that should work well. I assume you've disabled cab sims and -- perhaps -- amp sims on the FM9?
 
Yeah, I think you try a 4 cable method with modulation in the FX loop of the Quilter you'll be amazed how much better it sounds. The HD is a pretty neutral speaker so that should work well. I assume you've disabled cab sims and -- perhaps -- amp sims on the FM9?
I will give the modulation through the effects loop a try. Thanks. The TB202 has a FR voicing option and I have used amp and cab sims and/or not used them, just effects. I can get good sounds either way. I have probably more options than I will ever need. :sunglasses:
 
Nice write up for a first impressions and comparison! Your setting are pretty close to what I came up with! Treb+3 Bass+2. I was pretty much in the same camp with the CLR though I haven't had any issues with it the 4 years I owned it it was just too damn heavy but sounded really good!
 
I just sent one of my CLR power amps to be repaired. No upgrades (new power amps) available only repair to your unit. minimum of 90 day turn around. That's very poor service. I'm looking at the EV's myself.
 
I just sent one of my CLR power amps to be repaired. No upgrades (new power amps) available only repair to your unit. minimum of 90 day turn around. That's very poor service. I'm looking at the EV's myself.
Yeah, they quoted me 90 days at first; then they said it would be much sooner; turned out to be 5 months (with prodding from me after the 90 days had passed). Once it came back it was good as new, but I sold it quickly (happily, since they were out of stock for so long, I was able to sell it right away and get all my money back from the sale).
 
Well....my 2nd CLR died tonight. Both ATOMICS are down for the count. UGH! I ordered a 2nd EV.
Wow thats sucks! I was looking for a second CLR to replace cheapo Seismic when I found the EV thread. I have a pair of ZLX tops I thought about it for a hot second and pulled the trigger on a pair! I have only had them since July of last year so far I am happy with the purchase.
 
I also have dead Atomics, and won't be buying their products ever again. It sounds okay, but is unreliable Chinese junk. Might go demo those EVs.
Sadly, there's a lot of unreliable junk gear out there -- some from China. But, then again, there are many with Chinese parts with good QC and are more reliable. I'd bet that almost everything with a chip has some Chinese parts in it ...
 
Can't you just send out the clr power section to some local repair shop and have them fix it? Mine have been rock solid (knock on wood) so far but if nobody can get ahold of Atomic i'd just find a repair shop to do the work. It's just a plate amp, not like it's been magic gooped or anything.
 
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