I am several months in on the RCF now, and still impressed. This weekend was a large ballroom indoors Friday, followed by an outdoor beach party type gig at Galveston's Moody Gardens... in other words two gigs that are worlds apart audio-wise. The ballroom gig had a terrible slap-echo thing happening off the rear wall... touch the NX upwards a notch (bumped Axe II volume a tad) and all was well. I had the monitor on it's end, on top of a amp case the second day and (totally unchanged from previous night) it sounded awesome, especially on the Plexi tones. Really nice and open, like a Marshall into a greenback cab. It was inspiring to play with that kind of sound.
On the dispersion pattern, I am no expert like Jay, but I really, really like it. The tight dispersion pattern is something I make use of in my playing. Sometimes, such as while singing, it's helpful to have some direct volume so you can still hear both the vocal and guitar monitor. For this reason I have the monitor squarely centered on my mic position. But sometimes it helps to be able to blend what you hear with the other musicians and the house PA, and it is so nice to be able to step one way or another and literally control your hearing of the cabinet. I hear it wherever I am, but can hear more of less of it by moving around. This also works for intentional feedback.
I do wish I could afford a second one, but need to pay off a few things before making the purchase. On some stages I would like to just add more of a good thing. The combination of the Axe II and the RCF NX12SMA is providing the best overall sound I've ever had, with the most control. I love raging 4x12 cabs, but it just doesn't work in my real world. Being able to get those sounds while controlling onstage volume is gold, just pure gold.
Thanks to Scott Peterson, Merlin17, and Mike Pyle for moving me in this direction. No hocus pocus, just a solid speaker doing a great job for me.