NopeIs there a way to lock the volume at that level so knob has no impact.
A good set of pliers will work to remove the knob.We use backing tracks in a hybrid band and utilize 2 Axe III’s. Volume levels are super critical for balance since some sources are pre mixed. We use 50% for our reference volume on Output 1. Is there a way to lock the volume at that level so knob has no impact.
I’d start with:We use backing tracks in a hybrid band and utilize 2 Axe III’s. Volume levels are super critical for balance since some sources are pre mixed. We use 50% for our reference volume on Output 1. Is there a way to lock the volume at that level so knob has no impact.
if the x32 is always there, just turn the output knob all the way up, and adjust the input gain on the x32 channels. i do this and usually have my x32 channel gain from 0 dB to maybe 5 or so.Backing track goes into an X32 mixer as do the 2 Axe III's. We do level the presets carefully. Sometimes the knobs get bumped a bit. I usually calibrate to 50% each practice.
Excellent idea -why did I never think of that?You could max the physical knob then use the Global Graphic’s gain/level to bring it down.
I wonder how (or where) our gain staging differs? Both my fader and input trim on the X32 are at unity with Axe Output 1 at 50%.if the x32 is always there, just turn the output knob all the way up, and adjust the input gain on the x32 channels. i do this and usually have my x32 channel gain from 0 dB to maybe 5 or so.
Even if the axe fx output si set to -10dBv?but our mixer doesn't have true line level input so even with gain at zero, it comes in a tad hot.
Are you using XLR inputs or 1/4” on the x32?I wonder how (or where) our gain staging differs? Both my fader and input trim on the X32 are at unity with Axe Output 1 at 50%.
I use XLR inputs and target -18 dbfsAre you using XLR inputs or 1/4” on the x32?
What levels do you get on the x32 channel meter with your settings?
No, but it is more complicated than that. If I run Out1 at max value and -10 dBV, I have less internal headroom before the DA conversion compared to if I choose +4 dBu and reduce Out1 such that the output is the same. This is because Out1 knob controls digital scaling before the DA converter. The gain slider in the Output EQ would do exactly the same job.Even if the axe fx output si set to -10dBv?
I see. Not sure what Unity is on the channel gain (12 o clock?) but there’s no reason to put that higher if it means turning the Axe down. Especially if you’re trying to park the out knob at a repeatable level.I use XLR inputs and target -18 dbfs
So I found pink noise in the synth block and it triggers when hitting the strings. Is there another block or setting that would self generate a steady test tone?you could create a sync block test tone to calibrate your AxeFx output to the console fader for consistency.
Set track to Off and it will generate the tone on its own.So I found pink noise in the synth block and it triggers when hitting the strings. Is there another block or setting that would self generate a steady test tone?