km 202257
Inspired
[Edit Apr. 22th, 2024] Updated preset for FW25 (Cygnus X-3) is available on Post #36. The presets attached to this post is obsolete so deleted. Demo video is taken down as that no longer demonstrates the current version of this preset.
Excuse me to bump an old thread, but I’d like to share the updated version of this preset as attached.
The update reflects the recent firmware update that features Dyna-Cab and my findings after programming the previous version.
If you’re using my previous preset, I recommend you update to the new preset as it sounds more authentic and pleasant to my ears.
These are the major changes from the previous version:
“Wall of 9 AC30s v2 |km 202257”
I'd like to acknowledge Yonderbosk as the manufacturer of the treble booster I played with my preset “Doctor's Fav AC30” on this demo. If you liked my tone there, check out "BC149 ‘Orange Label’ Treble Booster" at http://yonderbosk.com
Here are some additional notes…
Excuse me to bump an old thread, but I’d like to share the updated version of this preset as attached.
The update reflects the recent firmware update that features Dyna-Cab and my findings after programming the previous version.
If you’re using my previous preset, I recommend you update to the new preset as it sounds more authentic and pleasant to my ears.
These are the major changes from the previous version:
- Amp blocks: completely re-tweaked to get closer to my AC30s.
- Cab blocks: Swapped the centre dry IR to Dyna-Cab model “2x12 Class-A 30W,“ and Left/Right IRs to factory ones that mix better with the Dyna-Cab on the centre.
- Drive block: Added variants to each channel. Some of them are matched to the real treble boosters I have (by ear, though.) See the additional notes at the bottom of my post for details.
“Wall of 9 AC30s v2 |km 202257”
- This is the updated preset from the previous version, which is my take of Brian’s rig for the gig, including the chorus, pitch shifters, and Brighton Rock delay.
- You can choose either chorus, pitch shifters, and Brighton Rock delay by changing the Scenes.
- Scene 8 “Dry only w/Fullres” in the previous version was omitted as Dyna-Cab doesn’t support Full-res IRs.
- For amp-in-the-room sound, please use Scene 2/6 of my preset “Doctor's Fav AC30 |km 202257”.
- This is a variant of the updated preset, which is intended for use with a real treble boosters connected to Input 2 (, not 1. See the additional notes at the bottom.)
- Other than Amp block, Input block swapped to “2”, and omitted Drive blocks, it’s the same as ““Wall of 9 AC30s v2.”
- This is a new preset, intended for studio recording quality tone.
- [Edit 3rd Jul. 2023: this is wrong so deleted.]
When you don’t need the 3 AC30s configuration, I recommend that you play with this preset as the AXE-FX III will get better processing quality with one Amp block. - You’ve got 4 scenes with different cab/mic placement. On Scene 1-4, simulation of a treble booster (the Drive block) is engaged, while on Scene 5-8 it’s bypassed so that you can connect a real treble booster to Input 2.
- For all the scenes, Cab block comes with a combination of dynamic mic IRs and condenser mic IRs. Dyna-Cab is used on Scene4 and 8.
I'd like to acknowledge Yonderbosk as the manufacturer of the treble booster I played with my preset “Doctor's Fav AC30” on this demo. If you liked my tone there, check out "BC149 ‘Orange Label’ Treble Booster" at http://yonderbosk.com
Here are some additional notes…
- Drive block’s got a different setting for each channel and are set to the channel that matches best to each of the scenes. Here’s what each channel has got:
- Channel A: matched to a treble booster by Fryer guitars by ear. Similar to Brian May’s treble boosters in late 90s-2000s.
- Channel B: matched to a treble booster by Pete Cornish by ear. Similar to what Brian used in late 70’s to early 80’s.
- Channel C: Almost the same as the default of the “treble booster” model but with clip type changed to “Germanium”. Intended to simulate what Brian used in early 70’s
- Channel D: The default setting of the “treble booster” model.
- After experiments, I recommend treble boosters be connected to Input 2, not 1. However low I turn down the input level or A/D sensitivity of Input 1, it never stops clipping when a treble booster is connected. It is not the case with Input 2.
- For the presets/Scenes intended for the use with a real treble booster, the gain of Amp block is adjusted to improve S/N ratio.
While with these presets/Scenes I feel the AXE-FX is behaving very close to the real AC30, you may find the gain is lacking especially in the solo. Adjust the gain in that case or I recommend using the presets/scenes with Drive block engaged.- Actually I prefer using the simulated treble boosters as it can achieve higher gain and still tolerable S/N ratio.
- I didn’t include the foot controller configuration. Please do the configuration yourself If necessary. If you are gigging with my presets, I guess you’d want to assign switches to change the Scenes and control other FXs.
- [Edit 3rd Jul. 2023: ported from the post #1 as it's still applicable.] When you don't use a real treble booster, I recommend plugging the guitar directly into the INSTR input, because input impedance plays an important role on this preset (and Brian's tone in general). If you use a wireless you should pair it with an impedance adjustment device (such as Radial Dragster: https://www.radialeng.com/product/dragster) to bring down the impedance anywhere below 100kohms.
Last edited: