Sorry if my reply sounded like I was saying "RTFM", didn't mean it that way.Ill look into glenns rec guide I guesss its not in the manual that I can find thats why I asked haha
Its all goodSorry if my reply sounded like I was saying "RTFM", didn't mean it that way.
The reply from @Piing looks helpful.
This sounds like it'll work ill give it a shot thanksSet the Output Block of the Axe-FX to Output 2, so the guitar will only be heard on Output 2 and the DAW on Output 1 (or vice-versa: set the DAW to the Axe-FX Output 2, and the guitar will be on Output 1 by default)
I'm guessing you can do this on the axe fx 2?Set the Output Block of the Axe-FX to Output 2, so the guitar will only be heard on Output 2 and the DAW on Output 1 (or vice-versa: set the DAW to the Axe-FX Output 2, and the guitar will be on Output 1 by default)
It won't let me do that hahaSet the Output Block of the Axe-FX to Output 2, so the guitar will only be heard on Output 2 and the DAW on Output 1 (or vice-versa: set the DAW to the Axe-FX Output 2, and the guitar will be on Output 1 by default)
Awesome thank you I appreciate it!This is possible but you'll have to add an FX Loop block to each preset or take one extra step per recording session. Monitors should be connected to Output 1 in any case.
1. I/O: Audio menu, set "USB/Digi Out Source" to "Output 2"
2. Send processed signal to Output 2 but not Output 1. You can either
a. Place an FX Loop at the end of of the chain, ideally before the last column to avoid automatic routing to Out 1. If you need to place it in the last column you can set the FX Loop's main balance control and (in output block) that row's pan control oppositely to remove the signal from Out 1.
or
b. Use presets with the more standard routing across the entire grid, and zero Output 1 Volume with a controller (CC via MIDI/USB, or Axe-FX pedal port assigned to Out 1 Volume, not the front panel level knob) as needed.
Also does the buffer in the control panel for the axe in the daw need to match the axes buffer?This is possible but you'll have to add an FX Loop block to each preset or take one extra step per recording session. Monitors should be connected to Output 1 in any case.
1. I/O: Audio menu, set "USB/Digi Out Source" to "Output 2"
2. Send processed signal to Output 2 but not Output 1. You can either
a. Place an FX Loop at the end of of the chain, ideally before the last column to avoid automatic routing to Out 1. If you need to place it in the last column you can set the FX Loop's main balance control and (in output block) that row's pan control oppositely to remove the signal from Out 1.
or
b. Use presets with the more standard routing across the entire grid, and zero Output 1 Volume with a controller (CC via MIDI/USB, or Axe-FX pedal port assigned to Out 1 Volume, not the front panel level knob) as needed.
No, those adjust different buffers (one on Axe-FX, one on computer) and don't need to have matching values.Also does the buffer in the control panel for the axe in the daw need to match the axes buffer?
No, those adjust different buffers (one on Axe-FX, one on computer) and don't need to have matching values.
Ok just curious Studio One is different theres 2 buffers I got the buffer from the axe fx what it says on control panel and theres a processing buffer inside the software tooNo, those adjust different buffers (one on Axe-FX, one on computer) and don't need to have matching values.
The first one in Studio one is the one from the Axe Fx. The one in the processing tab is for your plug-ins, basically. Set both as low as you can get away with, without breakups or crackling. The processing tab you can bring much higher after all your tracks are recorded to the daw and you are in the mixing phase. The first tab with the settings for the Axe Fx should never change and you should be able to keep them between 8 and 32 all the time,if possible.Ok just curious Studio One is different theres 2 buffers I got the buffer from the axe fx what it says on control panel and theres a processing buffer inside the software too
Oh right I think its on 256 in the axe and the control panel I just go direct out of out 1 anyways so there's virtually 0 latencyThe first one in Studio one is the one from the Axe Fx. The one in the processing tab is for your plug-ins, basically. Set both as low as you can get away with, without breakups or crackling. The processing tab you can bring much higher after all your tracks are recorded to the daw and you are in the mixing phase. The first tab with the settings for the Axe Fx should never change and you should be able to keep them between 8 and 32 all the time,if possible.
At 256 you are at about 8ms of latency and creeping close to the noticeable latency. Try to lower the AfX3 to lower than that. Start at 8 and if you notice crackles go up some try to stay below 64 if you can. As far as the processing tab that is where you will notice latency if you listen to your other tracks with plug-ins running while you are recording tracks using the AfX3.Oh right I think its on 256 in the axe and the control panel I just go direct out of out 1 anyways so there's virtually 0 latency
I don't monitor guitar through the daw either. I use output 1 as well, only with studio monitors instead of the headphone jack. I disable direct monitoring from S1.Oh right on I can't monitor with effwcts on in the daw I'm hearing it direct through output 1 through the headphone jack in not monitoring guitar through studio one im bypassing all latency I had about 8 ms when I used to run through an interface now I'm going direct and can't feel anything im curious how low the latency is going direct though but it feels snappy as shut from what ive read its about 2ms and im using the 2 by the way
Oh right on cool ya its so low I don't notice it at all.it also sounds so much more pure running direct as aposed to running through an interface and the conversion on my interface is great but its still betterI don't monitor guitar through the daw either. I use output 1 as well, only with studio monitors instead of the headphone jack. I disable direct monitoring from S1.
Still should be pretty similar with the II as far as latency and daw use, goes. If you are getting 2ms, that is quite good.