Andrew Male
Experienced
How do you know he copied them, did he tell you? Seems a bit weird.I worked on a projet with a hired studio musician. He copied presets without my permission when I was away. Not particularly mysterious.
How do you know he copied them, did he tell you? Seems a bit weird.I worked on a projet with a hired studio musician. He copied presets without my permission when I was away. Not particularly mysterious.
If strangers have physical access the the gear in such a way they can just plug things into the USB port I think you've got your priorities wrong if your worry some someone taking the SOFTWARE from it.
Way more likely someone will just walk off with your gear.
Security folks sometimes bring up the notion of installing a steel vault door on a tent. Installing USB port security devices on gear sitting inside a portable rack case probably qualifies here.
He would never have physically stolen the Axe 3 box.I worked on a project with a hired studio musician. He copied presets without my permission when I was away. Not particularly mysterious.
I heard it in a dream that he stole them. It was on a fortune cookie I ate. Glad we cleared that up.How do you know he copied them, did he tell you? Seems a bit weird.
I think ultimately all I am getting at is that I think its up to each artist to decide about their process and privacy. Regardless of how other artists do things. Good to have a system where each person can do it they way that makes them feel most free and is right for them.
try a constructive approach and an answer next time.I heard it in a dream that he stole them. It was on a fortune cookie I ate. Glad we cleared that up.
why should your evaluation of my presets determine whether they are protected or not?Right. Here's the part I disagree with, and this is a hot take for this forum: presets aren't worth that much. In fact I think buying presets is a silly concept in general. I don't think your (or the platinum artist's) presets are worth protecting anyways.