(next post)
9:11
Ok at dinner instead much richer that is this is the scene where I have an orange and in this case The only thing that changes was see the block of the amp step by y & x I turn off the compressor keep the volume volume equal But remember that it is controlled by of the pedal from the Mission Engineering that controls also we say in an alternative way then equal volume with the valois then in this case then eventually go to Peccioli disabled But one important thing is that as regards the sound Crunch you see that we say in the settings I associated the input first a scene control then the control of the first input is on the scene number 1 this because Because basically I want to give me the possibility to adjust the amount of saturation we say of the distorted sound in two modes either by adjusting the inputs left to turn on the bus that associated with control switch 1 control switch which is programmable by the scenes and also kept it available as a view and with a switch directly from the pedal board that if we go back in my go to hear the sound
11:08
because this case you have the tel and I need to create a slight ambient effect instead of the reverberation Then the scene two we saw. the Crunch in scene 34 we go to dinner 4:00 and I do something a little different you see the input Trim goes to much lower values and turns off the bust to do this how do I do that on the part controllers you see here I go in the scene control ok and you see that practically relative to each scene I can go to adjust that parameter has a value that I wish you believe that in fact in scene 4 that is highlighted in yellow the parameter is 8.1% that corresponds to the Dream more I said go to turn off the envelopes envelopes associated with the control number one So against the I find it here and see that precisely in scene 12 enabled in 3D is disabled as in scene 4 and so basically in this way I go to program control switch and say the scene commands relating to the scene I want to use in this case the sound that comes out of it
12:43
there is practically radically the appearance of the sound while maintaining the same amplifier and therefore without changing the say the mode of x & y and passing from a sound very loaded kick a sound Crunch is really very light almost Now used as how clean you see that to do this I had to use the counter switches and the scene in more I go to put an equalizer to go to recover a bit 'of loud sounds because the input before I did not use the input the hands we could because after we say the command Bright and then I keep more of the original sound, however, that is a decline in decline of Toni and above all Yes indeed I go to shut it down We even hope the course and it is she that we feel better the nature of this sound I keep the short gods only active If I go to turn off my equalizer...
14:24
in addition I'm going to also use to enjoy slightly sounds as clearly with a lowering the gainer even a little 'off the bus Cala and also the overall volume so I go to recover that 10:00 because I start directly on the equalizer control the equalizer goes to turn on when I go into the lower scene well to say with thought and the frequencies and sounds that I want Andrea to lose Reducing the Gain in this way would also be the scene 3 and the scene where the return on the amp block there is a ' other scene Where is this case for example I go to bring the first input to 50% 1 then to what you have in controlling 50% and I go to turn off the bust then another sound Crunch intermediate
15:37
I'm so You have noticed that there is no GAP audio that usually there is in the exchange xxx the amplifier substantially So if I do it now from the footswitch I heard you say to log you have more I go to dinner you're in the transition from 6 to 4 in this case is a beautiful four by two absolutely linear
17:35
ok and then say or the leader that in the scene number one in this thing in the book also turn on the drivers to give further Kane and I go to select the effects you want and in addition I also turn on the volume block which is simply as I said before a bust of 2.8 types to increase the volume of the Sound then I do again the passage of the various scenes so I start from scene 2 of the article I go to the scene leader 5
18:59
Ok well I hope we say everything is connected a Looper In the end this can also be removed to save a few points more CPU if needed but since we are here you see at 77% actually is not that you need too much see the configuration of the footswitch and this way also because I have a Midi expansion that advises me to change the scenes and then I can protect all the 8 free switches for the Realtime controls of the various Delights of the course of the multi of Fazer ideas of the Drive and of the volume of the bust that is what you find in this position and then it is really very very flexible Let's say that with this piece I do a whole live whole without ever having to change preset very well as I said you find it on my site and at what time and if you have questions are always available to you via e-mail via Facebook and forum, etc. and so on and thank you as always you 66 for the collaboration that I am given Ok M arco Fanton greets me I remember you the site
www.marcofanton.it to the next hello
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