Dave Z
Inspired
Hello. Let's say that I create a patch using a guitar with active humbucker pickups and an alder body. When I try that patch out with another guitar that has different pickups and/or different type of body wood (passive humbucker pickups and mahogany body for example), the sound is different (as expected).
My question is how do you create different versions of the same patch that compliment specific guitars while keeping the overall sound of the patch similar?
Are the B/M/T knobs enough to modify the general tonal differences between different guitars, or is EQ a better method since it is more specific?
When switching between single coil and humbucker guitars, is input trim a better adjustment to use rather than amp gain/drive alone to fine tune the amount of gain?
When modifying a patch created with active pickups, what are some parameters to modify when using a passive pickup guitar? I believe active pickups compress the sound more than passive pickups, so I don't know if compression needs to be reduced for passive pickup guitars.
I know there isn't a "one-size-fits-all" answer, but I was hoping to get some generic ideas on how to fine tune a patch in order to get similar sounds between different guitars.
The goal is to learn what parameters to adjust to either brighten/darken a patch for different guitars, and to make patches for active/passive guitars sound similar (if that's possible).
Thanks,
Dave Z
My question is how do you create different versions of the same patch that compliment specific guitars while keeping the overall sound of the patch similar?
Are the B/M/T knobs enough to modify the general tonal differences between different guitars, or is EQ a better method since it is more specific?
When switching between single coil and humbucker guitars, is input trim a better adjustment to use rather than amp gain/drive alone to fine tune the amount of gain?
When modifying a patch created with active pickups, what are some parameters to modify when using a passive pickup guitar? I believe active pickups compress the sound more than passive pickups, so I don't know if compression needs to be reduced for passive pickup guitars.
I know there isn't a "one-size-fits-all" answer, but I was hoping to get some generic ideas on how to fine tune a patch in order to get similar sounds between different guitars.
The goal is to learn what parameters to adjust to either brighten/darken a patch for different guitars, and to make patches for active/passive guitars sound similar (if that's possible).
Thanks,
Dave Z