If you want to loan me the PCM80, I will reverse engineer that preset in as much detail as possible and recreate it. I helped create some of Alex' sounds in the Axe-Fx II and you know what he had to say about that...
If you want to loan me the PCM80, I will reverse engineer that preset in as much detail as possible and recreate it. I helped create some of Alex' sounds in the Axe-Fx II and you know what he had to say about that...
This would be the most awesome thing that can happend!!! BTW is there a change to buy artist packs of their presets?If you want to loan me the PCM80, I will reverse engineer that preset in as much detail as possible and recreate it. I helped create some of Alex' sounds in the Axe-Fx II and you know what he had to say about that...
Here is the PCM80 manual
https://3e7777c294b9bcaa5486-bc9563...215603/PCM80_DualFX_User_Gd_Rev1_original.pdf
I think I would turn down all but one tap, then put a tone burst through it to figure out the modulation. Its best to have a scope. Once you get a single tap translated to the Axe then light up the other taps on the PCM and translate them to the Axe
I distinctly remember reading an interview with Lifeson in which he stated that the Roland Dimension D was used extensively for chorus effects on Grace Under Pressure.
Get an Eventide H8000. Your head will explode...as will your wallet.I'll try that tomorrow . . . using the raw delay lines to build a stereo chorus is cool though - you get an amazing amount of control!
My kingdom for more delay lines!
Get an Eventide H8000. Your head will explode...as will your wallet.
I have a 250ML that I'm willing to donate to the cause. I'll ship it monday if he wants to model it. I would love to hear what Cliff would do with it