He's posting in the Axe Fx III forum... And only mentioned Axe Fx III.He probably wants something that can run any of the FM units as well? Idunno ¯\(ツ)/¯
One possibility is that a Tone Match can "age out" over time because it's going to be based on the modeled reference amp at the point its captured. Future modeling changes can result in differences.Yeah I'm grasping at straws here
Same here, well except for the James Hetfield part.Ruling out Tone Match seems like an utterly bizarre requirement.
I even used Tone Match when creating sounds with James Hetfield himself.
The risk is, if you shell out $250 big ones for a preset of a tone that someone else has made, it more than likely won't sound at all the same on your guitar & fingers. I mean, it could sound great on the preset creator's guitar and setup, but the exact same preset could sound awful on your setup (purely because of it being used in a different environment).I'll pay 250$ for that Metallica Black Album Preset.
Guitar, playing and pickup differences will cause any preset to sound different, especially since it seems you are chasing that final 10%.I'll pay 250$ for that Metallica Black Album Preset.
Ruling out Tone Match seems like an utterly bizarre requirement.
I even used Tone Match when creating sounds with James Hetfield himself.
Ruling out Tone Match seems like an utterly bizarre requirement.
I even used Tone Match when creating sounds with James Hetfield himself.
Studio speakers are FRFR. Volume plays a bigger partI wonder why no one asked: frfr or studio monitors? Which guitar and pups? I mean frfr or studio speakers makes a huge difference.
Tx Moke. And how about speaker size? After a sidestep I came back to 12” and, in my humble opinion, made everything stock in the axe sound better.Studio speakers are FRFR. Volume plays a bigger part
It all plays into it. Here is my take...Tx Moke. And how about speaker size? After a sidestep I came back to 12” and, in my humble opinion, made everything stock in the axe sound better.
Kind regards, Harm