Doesn't Tosin have his own guitar company? That would be like Ola Englund getting a signature EBMM. Either way, I like the look of it.
Looks like he made sure to say it wasn't a 'signature' guitar, he just was consulted on it. I guess when you own the company that endorses you, there's no one to get pissed off if you play something else.
Not my cup of tea either way, though I'll definitely try it if I see one in the wild. Ya never know, I wouldn't turn down a guitar on aesthetics alone if everything else worked. I tend to not like fanned frets as I play a lot of weird jazz chords up above the 12th fret and it makes them awkward...kind of a weird scale though, the 'long' is 25.5, which is not appealing to me either...maybe if you play light strings, which I don't. I think it's the new Rob Scallon Schecter 7-string that has the fanning more offset so the upper frets are straighter, I'd be more interested in that.
Coming from someone who had one of the first Morse and Luke guitars, the latest stuff from MM has just not felt inspiring to me
when I was looking for a domestic high-end 7-string I really wanted to like the JP stuff and I just never connected with it.
(my go-to these days is a Washburn Nuno N7 with a coil split mod, for reference, but I also have a Jackson USA HT7 at 26.5 scale)
For 2022...I already ruined that one, I recently got a Martin SC-10E which has been awesome. For the studio work I do at home I'm fine with my FaderPort, and (now obsolete and refusing to upgrade due to compatibility concerns) DAW. I still use my AX8 several times weekly live and the FM3 lives on my desk. Besides that Martin, which I got because I've been picking up more acoustic shows lately that need lead guitar kinda stuff, I don't think there's much I'm excited about, simply because I don't need it. I don't chase stuff, I do what I do until I need a tool I don't have, and then I'll see what's out there. Sounds like a few of you share that mentality
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