I find discussions like this interesting and informative.
+1The dry recording itself already sounds metallic.
+10^100^100.Bump, now that cliff is looking at Leslie, how about reverb?
You be careful with your cord substitutions now!only thing I have ever liked them for is sustaining a cord through an amp with one "built-in,"
Same here. Twenty years ago...two Quadraverbs, two MP1s, a Digitech MEQ 28, 360 Systems Audio Matrix...among other dinasaurs.Alesis Quadraverb! Yes! Was my big rack FX unit 20 years ago when I was running ADA MP1's...LOL
This could be a topic for an entire thread, but I've always been baffled why some modulation units have a default of sine, or worse, only sine, as the LFO waveform. The pitch change is zero at the peaks, leading to an unstable effect. For vocals and solos this can be useful, but for general purpose use, triangle is the only waveform for me. I wish the Chorus block allowed triangle for more than two voices.Please consider changing the chorus waveshape in the Reverb block to triangle - I'm hearing the modulation 'turn the corners' and it detracts from the smoothness IMHO (when using long, heavy Verb).
Same here. Twenty years ago...two Quadraverbs, two MP1s, a Digitech MEQ 28, 360 Systems Audio Matrix...among other dinasaurs.