Ok, here's mine. It's a cool little setup, but a bit nerdy... I mean unconventional. Years ago I made an Ikea Gorm (?) shelf pedalboard. I mount the FM3 on that. I also have a smaller "satellite" board that docs on the Gorm that contains my midi switcher and a couple of expression pedals. What's cool is that the satellite board is totally wireless. It gets power from the power supply mounted under the Gorm, but has its own rechargeable battery. So when it disconnects from the Mother Board (har), it can run for like 5 hours by itself. I'm using wireless midi to communicate with the FM3, which also does switching for the Mesa head.
What I love about this is the flexibility. I can have the whole board together, or If I want a simplified setup, I can keep the FM3 back near the amp and the satellite board up by the mic stand with zero cables.
I don't really have a case situation for the FM3, but the satellite board has a bag. It was just a cheap Ghostfire board, but it's killer and the bag is really nice. I may get a properly sized board for the FM3 so it can have protection. Then I'll just have two boards, but it won't be as cool. Now I feel like I'm landing the shuttlecraft on the enterprise. lol
EDIT: for anyone curious, I use the small midi controller to Up/Down presets, top right button does tap tempo and tuner (hold for tuner). Bottom 3 buttons are assigned to whatever blocks I want to turn off and on. When I change FM3 scenes, it tells the Bridge 6 which LED's to light up, so the small controller can stay relatively in sync with the FM3. It's not perfect and sometimes gets out of sync (ie, a drive is on but the Bridge's drive LED isn't lit up).
To fix that, I built a little midi translator box (not pictured) that's only job is to listen to the FM3's sysex info, and convert that to midi data. Long story short, it gives me complete sync between units because the FM3 is always the "boss".
