If you want to use the DynaCab workflow on any IR :
Of course, it's not mathematically right, but it gets you interesting results
Of course, it's not mathematically right, but it gets you interesting results
I just used my ears, not so far ^^Nice idea. Being that I never mic'd a speaker before in my life this is all a learning experience for me with tons of trial and error. Interesting that you move the mic's so far away from the speaker. Maybe this is what I need to do so my Dyna Cabs more sound (in the room) and open as opposed to direct on shrilly when turned up to higher volumes.
I can share the preset but it uses a commercial irNice. Was hoping you were going to play the riff from "Find The Real". Such a killer song! Would you be willing to post that preset?
I've never been clear on what exactly the difference between these is.Interesting but not quite the same. I think you can improve your process:
1. Start with a mic position that you think looks like what the original IR may have been. Most factory IRs are around the edge of the dustcap at about 1". In other words, let the source share more of that natural sizzle and proximity.
2. Use live mode instead of off line.
3. Play the tone match boogie: chromatic chords up the neck.
ThanksInteresting but not quite the same. I think you can improve your process:
1. Start with a mic position that you think looks like what the original IR may have been. Most factory IRs are around the edge of the dustcap at about 1". In other words, let the source share more of that natural sizzle and proximity.
2. Use live mode instead of off line.
3. Play the tone match boogie: chromatic chords up the neck.
Here they get the same source signal so i'm also sureI've never been clear on what exactly the difference between these is.
Recording that into a looper block is a good way to make sure the reference and local get the same thing played into them.
That's cool. Which IR? I already own a bunch of them.I can share the preset but it uses a commercial ir
Messiah #2That's cool. Which IR? I already own a bunch of them.
What do you mean ?And yep I liked your work around! What if share dyna cab block w/ Ultra ir's? Thank ya for the idea
DunnoOn a related note, what is the IR Length of these IR’s from the Tone Match Block when you export them to your User Cab?
If I follow it correctly it appears he uses the tone match block to get a dyna cab to sound close to a legacy IR and the turns off the legacy ir and uses the mic position capabilities of the dyna cab block to approximate what it would be like moving the mic on the legacy cab.OK I'm officially stoopid.
Can someone explain to me, in words, the steps being taken here, and how/why they accomplish what?
There's no way post processing after the fact can "re"-create the tones that speaker would have with different mic positions and distances.