RackAddict
Previous handle "Djenter"
I know that tone matching for performing to get a nice sound out of the fractal is one thing, but was wondering if anyone can answer some basic daw recording questions and if anyone reccomends I do the same to get my tone EQ-d in the fractal right off the bat as close as possible to whatever reference recording I compare to going in from the axe FX 3? Or should a person just use as less as possible EQs going in and just get a raw sound and then use studio plugins or gear to shape the EQ-ing later?
If so do I roll down highs going in or boost highs and then filter them after?
But going in can I please know the best method because I have seen many and don't know whats the best. In other words to record with a lot of top end and bottom end then to do the usual top and bottom filter and Eq after or to just try to shape the EQ-ing right off the batt within the box?
f so I thought that's just for live. And even so how to work with that engineer? Let him add or subtract or do we assume and just add or subtract within the axe the way we would envision the final sound?
and on the studio filtering, why are so many YouTube teachers in mixing saying to high pass lows and low pass highs? Have they not heard how much bottom end is in the guitars on the deftones diamond eyes album?
And on top end, if low passing everything above 12k, if we are doing that then how are we supposed to get the top end clarity and fairness? Are we supposed to do it then add some processor like a tape plugin then boost the highs after to get a sort of silky clarity? I thought I saw that trick before but I can't remember where I saw it.
Also, these days so many people are calling themselves experts and releasing a course of some sort that it's hard to know who to trust really.
If so do I roll down highs going in or boost highs and then filter them after?
But going in can I please know the best method because I have seen many and don't know whats the best. In other words to record with a lot of top end and bottom end then to do the usual top and bottom filter and Eq after or to just try to shape the EQ-ing right off the batt within the box?
f so I thought that's just for live. And even so how to work with that engineer? Let him add or subtract or do we assume and just add or subtract within the axe the way we would envision the final sound?
and on the studio filtering, why are so many YouTube teachers in mixing saying to high pass lows and low pass highs? Have they not heard how much bottom end is in the guitars on the deftones diamond eyes album?
And on top end, if low passing everything above 12k, if we are doing that then how are we supposed to get the top end clarity and fairness? Are we supposed to do it then add some processor like a tape plugin then boost the highs after to get a sort of silky clarity? I thought I saw that trick before but I can't remember where I saw it.
Also, these days so many people are calling themselves experts and releasing a course of some sort that it's hard to know who to trust really.