Quick and easy live reamping!
Damn I feel stupid right about now. I've been struggling recreating my Ultra patches on my FM9, and why I haven't thought about doing this is beyond me.Wow! I don't record, but I understood the video. Nicely done.
I especially liked the part about 'live re-amping', and it occured to me, if you were to record your band, you could then use this technique to adjust your own tone to sound its best "in the mix", since that seems to be an area, where we dial up a tone that sounds killer playing alone, yet doesn't cut thru (for those of us who may not yet be experienced enough to know how to differentiate between the 2.)
Sometimes you're too close to the project, and just need a toothpick for your waffle door (50 First Dates...? No one? Ah well...)Damn I feel stupid right about now. I've been struggling recreating my Ultra patches on my FM9, and why I haven't thought about doing this is beyond me.
Here's a recent thread on the subject. It contains links to other threads with related problem reports.I'll take a look with @rlgr at the report, now deleted, that stated that the input gate was not being correctly applied at the In 1 block when Input 1 Source is set to "USB CHANNELS 3/4". That could be caused by the digital signal being fed to the block's outputs instead of its inputs.
That's probably the best re-amping video I've seen. It also applies to the Axe-Fx III/FM9...just use usb channel 5 instead of 3.
That will certainly work, there are pros and cons. I have a performance page control to easily switch the input from analog to digital, which I find easier than editing a preset to ensure it has a usb input block. Also you lose mod sources like pitch and envelope when you use the usb input block.On the Axe and FM9, I prefer to use the USB block so that you can avoid the global input change altogether. All you need to do to reamp is turn on the USB block, and you're running the DI signal into the preset.