With far-field IRs, it can sound pretty bang on compared to a guitar cab.But a closed back FRFR monitor with a coaxial speaker, or a tweeter, sitting side-by-side with an amp will never sound identical the amp, regardless of how good the IR that is used. Particularly if the amp has an open back cabinet.
With far-field IRs, it can sound pretty bang on compared to a guitar cab.
For open cabs, you're right, no. But if you really wanted to, you could fire two FRFRs front & back and get a very similar effect.
If you don't wanna have an actual power amp and speaker, what I would suggest is messing with the Cab block. You can blend four cabs. Maybe do a 57, a 121, and then the other two, get some Room IR's and play with the panning. Also maybe a couple room reverb blocks. Maybe the Recording Room. That's what I would do if I wanted more of an "amp in the room" sound with, let's say, headphones.
If you don't wanna have an actual power amp and speaker, what I would suggest is messing with the Cab block. You can blend four cabs. Maybe do a 57, a 121, and then the other two, get some Room IR's and play with the panning. Also maybe a couple room reverb blocks. Maybe the Recording Room. That's what I would do if I wanted more of an "amp in the room" sound with, let's say, headphones.
I'm also thinking if we had a delay param to let the room capture blend in a few milliseconds later could be really useful. Does mic distance do this? or does it affect the tone and not the time?
This isn't possible unless the IR was shot under conditions (room size) necessary for far field captures, in which case it would make more sense to use a separate reverb or reverb IR. This is because with a typical cab IR it is impossible to separate early reflections from the direct signal, because the cabinet is still decaying while the reflections begin.
To me, this looks like a coax FRFR with far-field IRs loaded as speaker modeling presets. Thinner cone, so some speaker breakup, and ability to turn the tweeter off for proper high frequency beaming.
There won't be an unpowered version. The "speaker modeling" seems to be based on IRs, or at least something before the internal power amp.Thanks for the video. Looks interesting. I like the idea that the built in speaker modeling is not aimed at cabinet modeling, but at how those speakers would sound in that cab. Neat approach.
Depending on how accurate that speaker simulation sounds, I could see a huge market for an unpowered version that could be used with an amp.
The "Plus" version allows you to load your own IR's. Interesting concept, utilizing IR's in a powered cab. Don't know how much of a difference it actually makes, most likely none as the IR is still after the amp model and before the actual power amp/speakerThanks for the video. Looks interesting. I like the idea that the built in speaker modeling is not aimed at cabinet modeling, but at how those speakers would sound in that cab. Neat approach.
Depending on how accurate that speaker simulation sounds, I could see a huge market for an unpowered version that could be used with an amp.
Loading your own IRS into the Powercab 112 is likely to deliver different results compared to loading them into a Cab block. No matter what IR you choose, it’ll still be colored by the physical cab itself which, for the Powercab, never changes.The "Plus" version allows you to load your own IR's. Interesting concept, utilizing IR's in a powered cab. Don't know how much of a difference it actually makes, most likely none as the IR is still after the amp model and before the actual power amp/speaker
The manufacturer says that the different models are models of the actual driver (presumably free-field), as opposed to typical IR captures of speaker/cab combinations.I'd have assume (without reading the specs) the speaker in the Powercab is FRFR (it is coaxial) or the IR's in it wouldn't work properly. Obviously you wouldn't have all the features of the AxeFx cab block