Budda
Axe-Master
A little while ago, I decided to take my guitar in C standard and make an RV50 preset after watching a demo of the mk3 (I rarely ever watch demos that aren't Leon's). I was digging the vintage, doom/stoner vibe (potentially mis-labelled as I don't listen to much of either of those). Then I went "hey, let's try the input boost and get it a little juiced up" and now I have both old and current Mastodon-esque sounds in one preset. Sweet!
While the baby was napping, I decided to copy the boosted RV50 to a new scene and futz with power amp parameters. Specifically, I wanted to try tweaking with the 6CA7 tube type as a lot of users love the Plexi 6CA7. Well, my friends, this led to me playing with negative feedback (taken from another forumite who modded their JVM to be more recto-like), xformer match and grid bias. Between these 3 tweaks and the input boost, the voicing retained its overall character but the midrange changed and it sits differently. I have a feeling the two versions will complement each-other should I use them to track in future.
Who else has played around and found a cool second sound?
Scene 1: RV50 as is
Scene 2: add hall reverb
Scene 3: boosted with hall
Scene 4: boosted with room reverb
Scene 5: boosted 6CA7 (exported with hall on, reverb channel C for room)
While the baby was napping, I decided to copy the boosted RV50 to a new scene and futz with power amp parameters. Specifically, I wanted to try tweaking with the 6CA7 tube type as a lot of users love the Plexi 6CA7. Well, my friends, this led to me playing with negative feedback (taken from another forumite who modded their JVM to be more recto-like), xformer match and grid bias. Between these 3 tweaks and the input boost, the voicing retained its overall character but the midrange changed and it sits differently. I have a feeling the two versions will complement each-other should I use them to track in future.
Who else has played around and found a cool second sound?
Scene 1: RV50 as is
Scene 2: add hall reverb
Scene 3: boosted with hall
Scene 4: boosted with room reverb
Scene 5: boosted 6CA7 (exported with hall on, reverb channel C for room)