Here's what I did with mine:
Duncan Jazz HB
Twisted Tele Neck (in middle)
ToneHatch ShinKicker
Warmoth pickguard matches the screws and has the middle pickup in the correct spot. Some "Nashville" style Teles have the middle pickup a little closer to the neck, maybe 1/2" off the spot where it ought to be if you want to get that Strat-y middle/bridge cluck going.
Switch gives the following:
- Neck (parallel HB, series HB on tone pot pull switch)
- Neck (screws coil) + Bridge OOP
- Neck (slugs coil) + Bridge
- Middle + Bridge
- Bridge
All but 5 are hum-cancelling, for the most part. Great sounds all around.
The Twisted Tele pickup is the only original electronic part on the guitar.
Great sounding pickup, that, and works great with the ShinKicker for "Strat" sort of sounds. The OOP sound is fantastic - the Jazz, split, and the ShinKicker give a great OOP tone that's not
too snarky, and plays well as a lead sound with some dirt or as a nice, articulate rhythm sound with a bit of poke and crisp lows that don't step on the bass player. The neck + bridge sound is what you would expect to hear in a good Tele - articulate, but punchy in the lows, too, with all the twang and German "ö" vowel tones on the low frets of the G string that a good Tele gives. The Jazz by itself, in parallel HB mode sounds about the same level and tone as the Twisted Tele neck pickup did when it was there, just "wider", and in series HB mode, it sounds like a good neck humbucker ought to.
Would love to have a fourth Tele, set up with the
Split Steel Poled Tele at the bridge, an
Alnico Rod Hum Cancelling P90 in the middle, and a 5% underwound
Hum Cancelling P90 in the neck spot. Could have a lot of fun with that....