Still Chasing Moments at 58: The Reality of Playing in a Working Covers Band

Moving to a different country, having to leave most of my stuff behind, in a storage, for a while at least (almost 3 years now) made me step back.

Heck yeah I miss it.

I'm 53. Totally get what you're saying about feeling the same about this as when you were 14. Maybe even better.
Was abroad a few times for expatriation, Indonesia, middle east, Caribbean and Germany. I always took an axe and some amplification with me. FAS was not yet born then, except for Martinique but didn't take a rack overseas (axe fx 2). I always found people to play with for kicks only, no gigs there.
 
Interesting thread. I'll throw one out from the "I stepped back" perspective. Probably a bit long, but hey, here it is.

The summer of '81, three recent high school grads and one who hadn't yet got together with the mentality of "we've been playing together for years, let's see how good this can get." No limits kind of thing, ideal band in my book.

I went off to start my comp sci degree. Over the next few months, another band from the same high school got infested and taken over by the others. It stayed that way long enough for me to realize that nope, I wasn't really wanted. Until an unnamed event involving some others, the police, and lawyers blew up and split off the other guitar player.

I heard about that one Saturday morning and figured I'd better stay around the phone for the day. Went from nothing to playing Alpine Valley four nights a week--there was a chalet hidden there that hired a band in concert and ski seasons--with weddings the rest of the year.

But the band had changed and it was dead to me. Later in life, I realized it was just another job. Sure, "the juice" was there. The drummer and I were psychic some nights. "Juice" for me was never outwardly visible, the music part of me would completely take over and the rest of me was just along for the ride.

Sure, there were some really good gigs. The, uh, overly Italian confirmation party where the piano player had his electric baby grand parked without legs on the parquet floor, and I could hear the piano from ten feet away as he was playing the frackin' theme from the Godfather. The literal "Hey, we're the only white people in here, okay, standard set" chicken wire gag from the Blues Brothers.

But after four years, the money equation worked out and I gave a few months notice.

Up until three years ago, I had only played about 10 hours in total. Played for my friends' kids when they considered joining school band. Went to the living room and played a bit when there was a, uh, loud lady neighbor. My dad's place went up in smoke from a coffee maker and I lost everything but the instruments. I'm in Austin now, good guitar players are a dime a dozen, and I was a self taught guitar player with way too many bad habits. There was decent money in comp sci. Blah, blah, blah.

About three years ago, I was listening to something, playing it in my head, and realized there was probably a web site with tabs. Found a tab, looked at a few more, noped out on playing guitar.

But something had cracked. I digitized the two cassette tapes we made of a gig to help train my replacement. Some of that performance was actually good. Six months later, I was visiting my mom, annoying everybody with Pete Thorn videos. Four months after that, I surprised everyone by digging out the guitar and actually practicing technical stuff, trying to fix my huge collection of bad habits. Two months after that, after I'd convinced myself that I really did want to learn to play what was in my head, the Fractal arrived.

So I've been chasing technique so I can finally chase what's in my head. The Fractal and various people who hang out here, pro and otherwise, make that so much easier. And quieter. I always wanted a tube amp, nope, no longer.

I can't wait for the next Spinal Tap. You all know why. The trailers and even that Elton John thing they have up on youtube...yeah, I'll be there opening night. Tap Into America.
 
69 years young here, used to do the bar scene (not interested in that anymore), festivals and private or corporate parties (nor that). Now, my basement project is the most rewarding ever and we play complex material I used to be scared of, yet we produce cd-quality home recordings, and succeed in putting together new cover song selections usually in the first attempt. Yet, we have absolutely no plan to gig. Why? Well, here's the thing: we are only three (guitar, bass, drums) and we use quality tracks for everything else including killer vocals. Can't imagine finding a singer good enough to pull off Boston, Toto, Kansas, Yes, and many more. And the absence of a singer is exactly why we can't even imagine doing gigs - who would want to see a band where even the singing is canned? It's sort of a hybrid dj / live band that has no future but is exquisitely gratifying. What are you gonna do?

I don't miss playing live (stage fright just thinking about it), but I find it's a shame not to be able to share the amazing stuff we pull off.
 
Can't imagine finding a singer good enough to pull off Boston, Toto, Kansas, Yes, and many more. And the absence of a singer is exactly why we can't even imagine doing gigs - who would want to see a band where even the singing is canned? It's sort of a hybrid dj / live band that has no future but is exquisitely gratifying. What are you gonna do?
Learn to sing, of course!
 
who would want to see a band where even the singing is canned?
Oh, you'd be surprised. Some bands almost exclusive mime, and even use stems from the studio versions. I don't get it, but seems most of the general public just think they sound amazing. Which they do...but it's a recording. 🤦‍♂️
 
Can't imagine finding a singer good enough to pull off Boston, Toto, Kansas, Yes, and many more. And the absence of a singer is exactly why we can't even imagine doing gigs - who would want to see a band where even the singing is canned?
Don't exclude the idea of having two singers, with one (or both) of them being female.
 
Was abroad a few times for expatriation, Indonesia, middle east, Caribbean and Germany. I always took an axe and some amplification with me. FAS was not yet born then, except for Martinique but didn't take a rack overseas (axe fx 2). I always found people to play with for kicks only, no gigs there.
It’s a bit complicated and hectic for me right now. But also, if you don’t carry equipment with you on a plane, shipping it later may trigger some insane tariff charges in some countries (even for obviously used stuff), you need to deal with brokers and complicated paperwork in a language you don’t speak.
 
It’s a bit complicated and hectic for me right now. But also, if you don’t carry equipment with you on a plane, shipping it later may trigger some insane tariff charges in some countries (even for obviously used stuff), you need to deal with brokers and complicated paperwork in a language you don’t speak.
Sure, which is why I put all of that in a 20' container right at the removals.
 
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