Saw Living Colour and Extreme last night at Jannus Live in St Pete, FL.

Tremonti

Fractal Fanatic
Was NOT impressed with Vernon Reid. I only knew Living Colour's 1 hit, cult of personality, and they did play at the end and was a monster. But Vernon's soloing is like that song, ON EVERYTHING! He alternate picks fast and just makes noise. Each their own....

Nuno was on FIRE though and Extreme gave an all out attack. The clarity of both bands in PA was not the best IMO, but fun night and tix were just $50!

1710067883527.png
 
I think if you like Living Colour because of their radio songs, you will probably not like them live at all. I've gone through the same thing with them, they wrote a couple of radio friendly songs (mostly 1) that was well produced and became somewhat of a hit radio staple. That song is just not that band, and I've always thought his playing was messy, his tone bad, and the band overall attempted to overplay, but just don't keep it together well while trying to do so. In interviews and tidbits here and there it appears they don't feel that song represents them well. But opinions .... (I agree with you on LC though).
 
Last edited:
The term I've heard used to describe his soloing is: 'scribble'
I think that's a good way to say it.

Another scribbler is Mick Mars.
 
I've loved the band since they first came out and was stoked to see Living Color in a small bar in Albuquerque NM for $20 a few weeks ago. Cory still has a great set of pipes on him. Their funkier songs are killer. I do have to agree that Vernons solos aren't enjoyable like Neal Schon, but the band is awesome.
 
I see the show tomorrow in Atlanta. Huge Nuno fan. I dig Living Colour as well, although I don't really get a lot of Vernon's soloing - more of a wall of sound approach I suppose. But they've got some good tunes in their catalog.
 
I'd friggin love to see Extreme but I don't think they'll be hitting up Canada or if so, very limited shows.
 
I saw them in Minneapolis and wasn't impressed with Vernon's soloing either, but the band was extremely tight, (pun intended), and Corey was phenomenal. He really owned the stage. Extreme kicked ass and were a blast to see, hear and experience.
 
I saw them a few weeks ago. Vernon's soloing style is eccentric compared to typical rock guitarists but as others have pointed out he has more outside-sounding influences than the typical 80s/early 90's shredder. He can clearly play in a more straight style as is evidenced by some of the more melodic runs and chord progressions that he does (not to mention that it's hard to be a session player if all you're capable of is avant-garde noodling).

For all of the subjective judgments around relative talents of the guitarists I will say this: Corey was in better vocal shape that night than Gary by a decent bit. Poor guy blew his voice early in the set and had to dial it back a bit for the rest of the songs. Something similar actually happened to me last week at a gig and it's no fun at all since there's little you can do besides modify your performance and try not to overexert yourself.

**EDIT: Check here (timestamp 3:40 if it doesn't jump) for an example of him doing some more conventional licks followed by some cleaner diatonic shred before he goes fully into his signature stylings.
 
Last edited:
I saw them in Orlando the night before Jannus, I would have gone to Jannus, but I had a wedding show I had to play. One of the bad things about playing music for a living, but I digress.

I feel the same way OP feels about Vernon, I think his rhythm playing is fantastic, but his lead playing has always been messy and chaotic in that sense, but its one of the reason you go see Vernon play. The whole Jazz Fusion/Free Jazz thing with a shit ton of distortion is his thing, and for whatever reason, it works.

Living Colour in general really blew me away, they not only played their hits, but also they played a bunch of cool covers and some stuff that I'm not gonna spoil while the tour is happening.

Doug's massive selection of 4 and 5 string Spector basses, which in the hour they were on, changed more than I change underwear and his bass tone is absolutely top notch.

The drummer is the tiniest human being on the planet, and has the biggest voice ever, I was in the last row of the orchestra seats, with earplugs in, and I heard him count off loud and clear every time, its honestly just as impressive as his playing. The man is an absolute animal.

Then comes Corey...Mind you Corey is 59 years old. He sang everything in the original key, and hits super high notes with ease and precision unlike any of his contemporaries. He's also added a tint of gospel to his voice that used to not be there, and I really enjoyed it. He didn't move around much, but I understand you gotta pick your battles. Out of that period of bands (Winger, Danger Danger, Living Colour, Extreme, Firehouse etc.) Gary and Corey are the only ones who can still do it, and do it well.

Now Extreme. I've seen them 3 times in my life, first time was in '14, then in '17 and now, and they only keep getting better.

Nuno, was well, Nuno. Gary might be the singer, but Nuno is the frontman of Extreme. The incredible confidence, poise and elegance, he shows in MCing the show, while playing most of the solos he does almost note for note, singing lead and backing vocals, at the age of 57, is a level that I aspire to at least get to half of when I'm his age.

Gary did everything in the original key, in the same style, same level of energy he's always had since 1990, and at the age of 62, is insane to say the least. The level of theatrics in the show, the way he looks, the way he dresses, just add to the cherry on top that is his amazing performance.

Pat was Pat, he's always been great, his bass tones, his chops and keeping up with Nuno, as well as being the Michael Anthony of the band in terms of harmonies, is always a sight to see. They did Cupid's Dead and that middle prog section in the song, was absolutely dead on perfect, and that was just one of the many highlights.

Kevin is an animal, He hits HARD and is so precise in everything he does, that it honestly makes me forget that Paul was ever in the band. He plays the parts like he wrote them, and the embellishments on top of all that, is crazy.

Overall, I think I paid $125 for my seats, and next time that I see them, I'm getting VIP and front row. I don't care if the tickets are $1000. I'll be more than happy to spend it. I also bought $185 worth of merch, because the t shirt designs, and the signed double vinyl of the new record is amazing, just to keep as a collector's thing.

Extreme has been my favorite band, right along side Van Halen, and they just keep being better, every time. Side note, Nuno has no business looking as good as he does at 57, and I hope I look half as good when I'm his age.
 
Caught the show last night in Atlanta - loved it! I saw Extreme on the Pornograffitti tour and it stands as one of my favorites ever. This was fantastic as well. It goes without saying that Nuno was as expected - totally amazing. Loved his EVH tributes throughout the night and the Washburn Bumblebee looks fantastic. Loved the Living Colour set also - Corey still sounds amazing. Doug Wimbish was fantastic (along with his 8-foot wide pedalboard that gives Vernon a run for the money).

Got to meet Rick Beato and Vernon Reid on the way out as well. Fantastic night!
 
Vernon Reid's 'Mistaken Identity' album is one of his better creations in my opinion.
It's not all guitar & gets a bit cross platform w/ hip hop in some places. I find it to be very enjoyable. I didn't know if I'd like it & it's grown on me. Very creative w/ a bit of humor.
 
It's the rhythm section when it comes to Living Color, for me. When Vernon Reid shreds, it comes across to me as someone just picking as fast as he can, and fretting notes as fast as he can, neither are in sync. But I don't necessarily hear any 'wrong' notes either. Oh, and the occasional mad bend, then back to sparks flying. It's a bit tedious imo. At times. Other times it's phenomenal!

Then there's songs like, Love Rears Its Ugly Head, which is an absolute gem! VR's playing as well. I like many of their songs, Type, Elvis is Dead, Pride, Middle Man, Open Letter To A Landlord...

And Will is a smoking drummer!
 
VR is def an acquired taste,He's very avant-garde. I personally always enjoyed LC seen them live a few times, and yes I shake my head when he goes frantic but I see it as part of him. One of my favorite songs is Nothingness, which is funny because it mainly VR playing synth on his guitar.
 
It's the rhythm section when it comes to Living Color, for me. When Vernon Reid shreds, it comes across to me as someone just picking as fast as he can, and fretting notes as fast as he can, neither are in sync. But I don't necessarily hear any 'wrong' notes either. Oh, and the occasional mad bend, then back to sparks flying. It's a bit tedious imo. At times. Other times it's phenomenal!

Then there's songs like, Love Rears Its Ugly Head, which is an absolute gem! VR's playing as well. I like many of their songs, Type, Elvis is Dead, Pride, Middle Man, Open Letter To A Landlord...

And Will is a smoking drummer!
Agreed.
I saw them open for The Stones in '89 and then headline in '91. I didn't think an awful lot of them the first time but when they toured the, "Time's Up" release I thought they were terrific.
 
The drummer is the tiniest human being on the planet, and has the biggest voice ever, I was in the last row of the orchestra seats, with earplugs in, and I heard him count off loud and clear every time, its honestly just as impressive as his playing. The man is an absolute animal.
Was this one of the gigs that Will Calhoun didn't do? I know he was using a sub for several gigs.
 
Will looks like a little kid behind the drums as he has his kit up high and is reaching high up for the cymbals. But he's a beast.
 
Back
Top Bottom