You can absolutely run an overdrive in front of an FM3—I run fuzz pedals and my klone into my FM3 and love the results. The key is remembering that you're running the pedal into a digital converter, not a tube preamp, and set the pedal volume accordingly. When I use drive pedals with my amps, I generally have the output level set at well over unity gain. In the analog world this can be great—hitting the preamp with a hotter signal helps it produce more distortion, and is part of what we think of as the sound of an overdrive pedal. But if I used the same settings with the FM3, it would overdrive the converters and I would end up with nasty digital clipping. So when I use my drive pedals with the FM3 I set the pedal's volume knob to unity gain to avoid digital clipping, and compensate for the lower volume level by boosting the input trim control in the amp block.Is it possible to put an overdrive like the Horizon Devices Precision Drive in front of an FM3 - wouldn't that just digitally distort the AD inputs, would it be better in the FX loop just before the amp block? Anyone tried this? How does it sound?
Thx a lot, that's exactly what I thought, so I will give it a try, I just wasn't sure if it is possible to compensate the missing input level on the input tubes with the simulated boost and get the same results as in real world. The Precision Drive Block in the Axe FX III was built with the new drive algorithms after firmware 13 and Cliff wrote that at this point it is not possible to transfer the new algos to the FM3 as they would need to much CPU. It will be interesting if this will be a more and more general problem for us FM3 guys. New Algos with better sound quality developed for the III that cannot be ported to the FM3. At the moment for me personally the main difference it's just the Precission Drive, so I can spend 220 Euros for a new pedal or 2500 Euros for an Axe FX III. I think in the long term it would be smarter to invest now in an Axe FX III... but it's a lot of money for a hobbyist living room player...You can absolutely run an overdrive in front of an FM3—I run fuzz pedals and my klone into my FM3 and love the results. The key is remembering that you're running the pedal into a digital converter, not a tube preamp, and set the pedal volume accordingly. When I use drive pedals with my amps, I generally have the output level set at well over unity gain. In the analog world this can be great—hitting the preamp with a hotter signal helps it produce more distortion, and is part of what we think of as the sound of an overdrive pedal. But if I used the same settings with the FM3, it would overdrive the converters and I would end up with nasty digital clipping. So when I use my drive pedals with the FM3 I set the pedal's volume knob to unity gain to avoid digital clipping, and compensate for the lower volume level by boosting the input trim control in the amp block.
It actually is a high pass filter in the feedback loop:Just out of curiosity, is the Attack knob on the Precision Drive just a low cut filter, so it could be simulated with the low cut filter in the input EQ section of the amp block?
I think that whether you get an anemic sound definitely depends on the particular pedal. Some overdrive/distortion pedals, like the Rangemaster, have an output volume that is really the gain control for a transistor that distorts at higher settings. Other pedals, like the Boss BD-2, have a volume control that adjusts the input level for a second or third opamp/diode clipping stage, so less volume means less distortion. So keeping the volume low on those pedals has a noticeable, usually detrimental effect on the tone.Good advice, pedalbuilder! Although, I'd also suggest turning the FM3 input down most or all the way, and cranking the OD pedal as much as possible without clipping. I don't know about the Precision Drive, but many OD pedals sound better with the volume opened up and are a little anemic at unity gain. Worth experimenting!
I just got my FM3 and was curious about this particular topic. I love my Tumnus and would like to use it with my FM3. I'm using the FM3 strictly as an effects processor and as a way to control midi on my tube amp. Should I set it up differently from what was described above or just got right into input 1 and tweak away? Sorry for the newb question, but who would give a better answer than the good people in this forum