JosephGarraty
Member
You can't imagine how stoked I was when I saw the Komet 60 in FW 11! My go-to recording amp is a Komet 60 played through a '70s Marshall cab loaded with some awesome-sounding blackbacks. I swear, playing the thing is like a religious experience.
However, the Komet 60 is just too damn loud for most venues I play. Now I can use the Axe-FX model through my FRFR setup, which is great. The only thing is, I really like the sound of my cab. Probably because it's what I'm used to, but regardless, the other IRs I've tried, good as they are, are missing a little something for me. Capturing an IR of my cab, just the way I want it to sound, and using the Komet model would be a great way of getting my sound live without blowing the back wall off the club.
So, my question is, what power amps are people using for IR capture? Any advantages or disadvantages of tube vs. solid state? Any recommendations for pitfalls to avoid? I don't want to color the sound over and above the amp model much at all, if possible.
However, the Komet 60 is just too damn loud for most venues I play. Now I can use the Axe-FX model through my FRFR setup, which is great. The only thing is, I really like the sound of my cab. Probably because it's what I'm used to, but regardless, the other IRs I've tried, good as they are, are missing a little something for me. Capturing an IR of my cab, just the way I want it to sound, and using the Komet model would be a great way of getting my sound live without blowing the back wall off the club.
So, my question is, what power amps are people using for IR capture? Any advantages or disadvantages of tube vs. solid state? Any recommendations for pitfalls to avoid? I don't want to color the sound over and above the amp model much at all, if possible.