If the Visa is only used for cash back reasons, I think you’re still all good buddy!Uck!!! There goes my checking account balance again...................
Scarf joints are used so you don’t need a full width maple block. There’s a lot of waste if the neck angle is cut with the neck.I’m intrigued by these and am considering replacing my Strat with one. Interested on @Andy Eagle ’s take on these.
Scarf joints are generally used as a solution to headstocks snapping off with a sideways glance but I believe their effectiveness or need is based on the headstock back angle. (I Am Not A Luthier. Take my opinion as highly uninformed.)
That’s what I understood. That’s why when Paul pulls out a Mahogany or Rosewood neck blank it’s a big hunk of wood. It would be possible to get two necks from those blanks if they were scarfed. I was surprised that Maple would be the first wood they decide to do this on a Core model. We have plenty of Maple in the US. Maybe nice straight grain quarter sawn Maple is getting harder and expensive to source. Or heck, who knows what sort of ESG BS pressures companies are having to deal with these days. Oh well, I’ve witnessed properly glued wood perform stronger than the wood itself.Scarf joints are used so you don’t need a full width maple block. There’s a lot of waste if the neck angle is cut with the neck.
I have four Teles, and this looks tempting. Hopefully the NF53 pickups are brighter than regular NF pickups and have at least 2+ leads for phase and series connections. All my Teles have 4P5T 5 way switches....Kind of want an NF53 now. I've fallen in love with Telecasters over the last few years and predominantly play my DIY Teles out now.
Just looked at the comparison video on the PRS site, and the NF53 sounds really nice. Clarity and balance are pretty good for a lot of styles....I have four Teles, and this looks tempting. Hopefully the NF53 pickups are brighter than regular NF pickups and have at least 2+ leads for phase and series connections. All my Teles have 4P5T 5 way switches....
Ibanez style scarf joints are functionally superior to it being cut from a single block as is the use of three or more laminates for the neck as a whole. The tonal consequences are minimal IMO and it is the way to go, same as adding graphite reinforcement rods under the fingerboard. If however you are going for a true vintage fender tone I would say that a one piece construction with a vintage single rod is probably the only way to achieve that authentically but this would also require vintage size frets.I’m intrigued by these and am considering replacing my Strat with one. Interested on @Andy Eagle ’s take on these.
Scarf joints are generally used as a solution to headstocks snapping off with a sideways glance but I believe their effectiveness or need is based on the headstock back angle. (I Am Not A Luthier. Take my opinion as highly uninformed.)
Which one are you going to acquire?Uck!!! There goes my checking account balance again...................
It got delayed to tomorrow but it did ship today. But ill open it up and let you guys know whats going on inside. Im very curious how the "hi end rolloff push/pull" is actually happening. But since it has a 5 way with coil split options on the pickups, id bet its a 4 or 5 conductor lead for the MF NF. I wouldnt be surprised if the DDNF are 3 conductor , i doubt it though.NiCe!! Let us know what you think.
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This shows the issue.
@Andy Eagle Does this also explain why some people insist a repaired headstock sounds better? In your experience, is there something to that, based on a stronger joint? Looking at your images, I wonder if a scarf joint Les Paul might sound better for non-obvious reasons.Well that explains all the ‘professionally repaired headstock’ Gibson’s I see on Reverb.
They're different enought to warrant getting both....Which one are you going to acquire?
I wouldn't be shocked if @GLiDE BPM ended up going that route.They're different enought to warrant getting both....
All breaks and repairs are different so it's impossible to generalise.@Andy Eagle Does this also explain why some people insist a repaired headstock sounds better? In your experience, is there something to that, based on a stronger joint? Looking at your images, I wonder if a scarf joint Les Paul might sound better for non-obvious reasons.
All breaks and repairs are different so it's impossible to generalise.