playingitloud
Inspired
Hey Roddie,
I bought a Kemper last XMAS from Sweetwater and I knew it was not for me after playing it for about two hours.
I kept getting a slightly muffled lack luster tone from it (no matter what preset I used on it).
I returned it pretty quickly back to Sweetwater.
In early January, an artist friend of mine asked me to trade my mint Ultra for his back-up Kemper (brand new) since he had three Kempers but he wanted a second Ultra.
I did the trade since I knew that I definitely scored there since the Kemper sells for a lot more and I figured I could sell it after spending more time with it (I only played the other one for about two hours).
Once I received it and played on it then I found that I never really turned off the cabs when I played through my power amp since I had turned off the cab from the front but it only stayed off until you changed the preset (the reason for the slightly muffled lack luster sound, lol).
I guess I didn't notice that they came back on again
Well, I was definitely more impressed by the "sound" and "feel" of the Kemper once I understood it better and played on it for a few hours.
I had been given close to a 1,000 profiles from my friend on the Kemper plus he gave me thousands of profiles that were given to him by other well-known artists and recording engineers, so I spent a lot of hours messing with them since NAMM was coming up in about a week.
I went to NAMM this year specifically to learn everything about the Kemper and spent several days researching it and going back and forth to NAMM to ask more questions.
By the last day of NAMM, I believe I understood everything I needed to know about the Kemper, and I had many profiles to get the ideal amp for playing live and recording plus I was able to do some deeper tweaking with their Kemper edit.
Also, it "felt" like I was playing on a real amp (it had that resistance that you expect when playing on a tube amp in the room).
I kept telling many of my NAMM buddies that I was loving the Kemper and I was looking forward to getting home and playing on it.
Additionally, I had an AXE FX III sitting in the box and I was starting to think that I should just sell it (I already had another one at the studio).
However, I ran into a NAMM buddy just before I left the show on the last day (I have come to really hate this guy (you'll know why in a moment, lol)).
I told him about my goal for learning everything about the Kemper at the show this year.
He said he had one himself (he didn't look very enthused when he said it), and then he mentions that he could never get it to gel for him since he felt there was this harshness in the high end of all the profiles and he could just not dial it out of the profiles.
Really, a harshness in the profiles?
I didn't notice it when I played on it.
However, when I returned home I played on it and I noticed it right away.
I could not dial it out of any of them.
They were in EVERY single one of the profiles and I had thousands of them!!!!!
I spent MANY days/weeks researching it and trying different things BUT I could not get it to go away no matter what I did to it.
There was this one guy in the Kemper forum (and other forums) that had many, many, many, many pages related to this topic, and I came to the same conclusion that it is just a part of the profile process.
The cleans sounded pretty good and it did have the amp in the room feel to it but I could not live with that sound since it was annoying the hell out of me at that point.
I decided to take the AXE FX III out of the box and play on it.
I uploaded a few of my Silent Underground Studio and Austin Buddy presets that I purchased and it sounded AMAZING!!
No high end harshness, feels great, easy to edit, and a large number of tonal possibilities
I feel that I spent a good amount of time learning everything to know about the Kemper and there was some positives BUT the high end harshness was a deal breaker for me.
The AXE FX III gets firmware updates all the time, the routing capabilities are truly unbelievable, four amps within one preset, eight scenes, plus you can have up to four people play on it (if you wanted to share the love), and the people in this forum are amazing and very helpful whenever you have questions and need some guidance.
The AXE FX III really is an AMAZING device and I see myself having it for many more years, well, at least until a IV comes out
I bought a Kemper last XMAS from Sweetwater and I knew it was not for me after playing it for about two hours.
I kept getting a slightly muffled lack luster tone from it (no matter what preset I used on it).
I returned it pretty quickly back to Sweetwater.
In early January, an artist friend of mine asked me to trade my mint Ultra for his back-up Kemper (brand new) since he had three Kempers but he wanted a second Ultra.
I did the trade since I knew that I definitely scored there since the Kemper sells for a lot more and I figured I could sell it after spending more time with it (I only played the other one for about two hours).
Once I received it and played on it then I found that I never really turned off the cabs when I played through my power amp since I had turned off the cab from the front but it only stayed off until you changed the preset (the reason for the slightly muffled lack luster sound, lol).
I guess I didn't notice that they came back on again
Well, I was definitely more impressed by the "sound" and "feel" of the Kemper once I understood it better and played on it for a few hours.
I had been given close to a 1,000 profiles from my friend on the Kemper plus he gave me thousands of profiles that were given to him by other well-known artists and recording engineers, so I spent a lot of hours messing with them since NAMM was coming up in about a week.
I went to NAMM this year specifically to learn everything about the Kemper and spent several days researching it and going back and forth to NAMM to ask more questions.
By the last day of NAMM, I believe I understood everything I needed to know about the Kemper, and I had many profiles to get the ideal amp for playing live and recording plus I was able to do some deeper tweaking with their Kemper edit.
Also, it "felt" like I was playing on a real amp (it had that resistance that you expect when playing on a tube amp in the room).
I kept telling many of my NAMM buddies that I was loving the Kemper and I was looking forward to getting home and playing on it.
Additionally, I had an AXE FX III sitting in the box and I was starting to think that I should just sell it (I already had another one at the studio).
However, I ran into a NAMM buddy just before I left the show on the last day (I have come to really hate this guy (you'll know why in a moment, lol)).
I told him about my goal for learning everything about the Kemper at the show this year.
He said he had one himself (he didn't look very enthused when he said it), and then he mentions that he could never get it to gel for him since he felt there was this harshness in the high end of all the profiles and he could just not dial it out of the profiles.
Really, a harshness in the profiles?
I didn't notice it when I played on it.
However, when I returned home I played on it and I noticed it right away.
I could not dial it out of any of them.
They were in EVERY single one of the profiles and I had thousands of them!!!!!
I spent MANY days/weeks researching it and trying different things BUT I could not get it to go away no matter what I did to it.
There was this one guy in the Kemper forum (and other forums) that had many, many, many, many pages related to this topic, and I came to the same conclusion that it is just a part of the profile process.
The cleans sounded pretty good and it did have the amp in the room feel to it but I could not live with that sound since it was annoying the hell out of me at that point.
I decided to take the AXE FX III out of the box and play on it.
I uploaded a few of my Silent Underground Studio and Austin Buddy presets that I purchased and it sounded AMAZING!!
No high end harshness, feels great, easy to edit, and a large number of tonal possibilities
I feel that I spent a good amount of time learning everything to know about the Kemper and there was some positives BUT the high end harshness was a deal breaker for me.
The AXE FX III gets firmware updates all the time, the routing capabilities are truly unbelievable, four amps within one preset, eight scenes, plus you can have up to four people play on it (if you wanted to share the love), and the people in this forum are amazing and very helpful whenever you have questions and need some guidance.
The AXE FX III really is an AMAZING device and I see myself having it for many more years, well, at least until a IV comes out