Bruce Sokolovic
Fractal Fanatic
I’d really like to hear audio of both.
People never do these a/b's correct. You'd need to shoot an ir of the real cab, then track a di to reamp through both rigs. Reamp through the real amp/cab and the axe w/ the cab ir. People never do that... When they do, its VERY close and 50/50 which people prefer...I’d really like to hear audio of both.
He did clarify he is testing both using IRs, not a real cabinet, and still likes the real one better.People never do these a/b's correct. You'd need to shoot an ir of the real cab, then track a di to reamp through both rigs. Reamp through the real amp/cab and the axe w/ the cab ir. People never do that... When they do, its VERY close and 50/50 which people prefer...
Instead, they post a room mic of the amp/cab and compare to the fractal in a daw.
And even then, if it sounds very similar, they say things like "it isnt as punchy" or "not as organic", "doesnt explode" as they compare their headrush 10" speaker to an oversized 4x12.
IIRC the SLO model is one of those where the MV has huge control over the sound (pretty sure I read that on here).I've been lucky enough to snag up a technically new SLO-100 which is one of my all-time dream amps. I could never really bond with the SLO models in any gear but the real one loaded with the Fractal LB-2 with my fav IRs sounds absolutely glorious.
I've tried matching the Axe model to it to no real avail. I went as deep as it made sense to me, not matching with my eyes but my ears and changing the speaker impedance curve to the LB-2's UK curve but I'm still not close enough.
The real amp has a kind of roughness that I simply don't get with the Axe model. The Axe model sounds like the "bowtie elegant kid" version of my real amp. It's just smoother, more rounded, less visceral and girthy. It's almost as if the real amp would always want to fall apart and while it doesn't it gets almost all the way there while the Axe model has a similar tone and distortion texture but always stays cool and calculated. The model also sounds considerably tighter which could also contribute to my percepted difference.
Is there a parameter (or are there multiple parameters) in the Axe that I could tweak and it would get me closer to this kind of "explosive" behavior?
Cheers
I don't know if this will help, but I just tried matching the Solo 100 Lead model to my early 00's Soldano Avenger (single channel amp with just the SLO Lead channel) and here's what I found:I've been lucky enough to snag up a technically new SLO-100 which is one of my all-time dream amps. I could never really bond with the SLO models in any gear but the real one loaded with the Fractal LB-2 with my fav IRs sounds absolutely glorious.
I've tried matching the Axe model to it to no real avail. I went as deep as it made sense to me, not matching with my eyes but my ears and changing the speaker impedance curve to the LB-2's UK curve but I'm still not close enough.
The real amp has a kind of roughness that I simply don't get with the Axe model. The Axe model sounds like the "bowtie elegant kid" version of my real amp. It's just smoother, more rounded, less visceral and girthy. It's almost as if the real amp would always want to fall apart and while it doesn't it gets almost all the way there while the Axe model has a similar tone and distortion texture but always stays cool and calculated. The model also sounds considerably tighter which could also contribute to my percepted difference.
Is there a parameter (or are there multiple parameters) in the Axe that I could tweak and it would get me closer to this kind of "explosive" behavior?
Cheers
Get well! Then you can proceed on the quest!Hey everybody,
Sorry for the delay (and the reverb as well ). I haven't been feeling well for the last 2 weeks.
Thank you all for chiming in, especially @York Audio for the plethora of tips.
I've decided to cease the efforts until I can get a good Y splitter box to be able to do the A/B testing and tweaking in "realtime".
I love my Morley Tripler. One Input with Three Ouptuts, each with their own on/off footswitch. Plus a booster.Hey everybody,
Sorry for the delay (and the reverb as well ). I haven't been feeling well for the last 2 weeks.
Thank you all for chiming in, especially @York Audio for the plethora of tips.
I've decided to cease the efforts until I can get a good Y splitter box to be able to do the A/B testing and tweaking in "realtime".
Did you get a chance to dial in the SLO yet? Also, if you're looking for an amp switcher, I HIGHLY recommend checking out the KHE stuff. I've tried three different high end amp switching brands and that one is easily the best one and isn't a tone sucker.Hey everybody,
Sorry for the delay (and the reverb as well ). I haven't been feeling well for the last 2 weeks.
Thank you all for chiming in, especially @York Audio for the plethora of tips.
I've decided to cease the efforts until I can get a good Y splitter box to be able to do the A/B testing and tweaking in "realtime".
Just Reamp out of the fractal into your SLO into your LB 2?Thank you for your suggestion.
Maybe I was confusing in my original post but I'm not trying to go from real amp and cab to the Axe 3 - I'm using the SLO with Fractal's LB-2 reactive load into my audio interface and using the same IR for both the Axe and the real head and trying to match them this way. I did the same back then with my Mesa JP2C with immediately great results which eventually ended up being sold. So I'm not essentially a newbie to doing this, I'm just finding the SLO models sounding very different to my amp compared to the JP2C for example.