Polluxx
Member
Hello Mates,
I would like to know how you deal with this topic:
Justin (York Audio) recommends not setting a high cut on his IRs and rather playing with the treble and presence controls to make the sound more open.
I try to do the same, but I don't get it as clean as when I set a high cut.
I then try to counteract this with the presence control, but the sound is already different when I compare it with a b, I just can't find a sweet spot. How do you deal with this? I'm always out to get the maximum sound quality, it's not enough for me that it only sounds good to my ears, I also want to bring in science and work sensibly in theory, because good is the enemy of better.
I usually use the SLO 100 with the York 65m Cream IR from York Audio.
So far, I have usually set the high cut at 8000.
I am very curious about your approaches.
I would like to know how you deal with this topic:
Justin (York Audio) recommends not setting a high cut on his IRs and rather playing with the treble and presence controls to make the sound more open.
I try to do the same, but I don't get it as clean as when I set a high cut.
I then try to counteract this with the presence control, but the sound is already different when I compare it with a b, I just can't find a sweet spot. How do you deal with this? I'm always out to get the maximum sound quality, it's not enough for me that it only sounds good to my ears, I also want to bring in science and work sensibly in theory, because good is the enemy of better.
I usually use the SLO 100 with the York 65m Cream IR from York Audio.
So far, I have usually set the high cut at 8000.
I am very curious about your approaches.
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