Lolo-G
Experienced
The OEM humbuckers didn't suit me either.There are good qualities and not so much. The basic take-away from this is that what one gains in quality in one area might be lacking in another.
Case in point:
Body weight: I personally own a Strandberg Sälen Jazz NX6 Natural whose approximate weight is 5 lb. +- 10%. The weight is one of the primary concerns for my purchase. If perhaps you are younger than 50 years old you may not feel the need to own lighter weight guitars. Part of my tone quest the past 5 years has been one of trying to locate gear that prevents back injury. Age 66 y.o. means you gotta pick what health hassle you least want to deal with. Anything that doesn't aggravate my health I'm entirely happy with.
Neck profile: The ErgoDyne neck feels comfortable and as if it were well-played prior to my ownership. The neck is sanded and feels smooth. The angled design is something you get used to quickly. The fact that Strandberg necks lack noted curvature or defined profile really doesn't matter that much. The angled neck is comfortable and easy to play.
Frets: Stainless Steel, Fanned, Tru-Temperment. Most all of Strandberg's designs consist of the fanned tru-temperment frets. There are some entry level and lower cost designs that are straight non-fanned. The stainless steel frets are nicely polished without noticeable fret tang, sharp edges, or snag.
Tuners: Regards tuners, this is where my only concern about tuning easily might occur. The tuners are located as part of the bridge system some with or without a tremolo. Because the hunters are spaced closely together, there might be some slight confusion as to what note one is currently tuning. Simply monitoring your device's tuner as you select your string tuner eventually becomes intuitive, and instead of going with it, you grow with it. Nice, huh?
Pickups: Again, one of the variables that needs improvement. My Sälen Jazz NX6 has Suhr nickel covered Thornbuckers in the neck and bridge. I'm personally satisfied with these. Others may not be so satisfied with uncovered "OEM pickups." The OEMs somewhat define the way a Strandberg sounds, and they typically are higher output wound (hotter sounding) than vintage PAF types.
All in all, Strandberg's R&D team has done most of the preparatory work that has brought a recent upstart company into the view of many progressive artists who seem to be leading the way regards the future of progressive rock, jazz, and fusion. It's interesting to note that because Ola Strandberg has interactively worked with guitarists who can suggest ways of improving the design, Strandberg Guitars has quickly made its way into the mainstream of quality instruments. As Ola refines his build processes, we may see greater variety with greater respect to artistic value. Until that time, Strandberg's price point should not need vary that much for the existing quality already being built into Strandberg's design.
I'm waiting for the day when Strandberg will produce a Salen Jazz for left-handers!
