vinnieRice
Inspired
All the A's sound better to me, more dynamic and 'alive' (bit more top end?) I suspect they are the real amp - however if they are the Axe-FX I would be very pleased and amazed.
With the exception of the third set of clips, that was what I heard as well. The differences were unmistakable to me when double-stops or chords were played, which would imply that the nonlinear behavior of the two systems is the cause of the difference. The system used for the "B" clips (except 3) appears to me more capable of preserving upper harmonics and transients when driven into saturation.merlin17 said:Interesting, I have the impression the B clips have a bit more top end...
That is just one type of tube amp sound, however. The tube amps I like most - including a Marshall 50w combo and a Super lead head that I owned - all preserve higher frequencies when driven slightly into nonlinearity as in the clips. The compressive effect I hear in the A clips (and in 3B) is exaggerated beyond the amount I prefer, and it affects a frequency range I would rather not be compressed. That's just personal preference, not speculation as to which is "real." It may well be that I prefer the Axe-Fx clips over those done with the "real" amp.vinnieRice said:Ok, after Jay's comments I had a proper listen and taking recording 1 as an example it is true that the B version is consistent in producing the hi end through the piece. I also think this why I prefer the A version! I think i am associating the compression of the top end with a true valve amp sound.
Right. OTOH, the parts of the spectrum that get compressed are not necessarily the higher frequencies. Some amps compress lower frequencies more than higher frequencies.When we (certainly I) talk about valve amps being 'dynamic' I think we actually mean the tonal changes that occur because of compression of parts of the spectrum.
Good. Now Armin can tell us how obvious that was. :lol:mranonimouse said:A = Axe-FX
B = Real amp and real cab.
mranonimouse said:A = Axe-FX
B = Real amp and real cab.
godprobe said:Well... consider my ears fooled!
Thank you for the comparison -- one of the few that's been done really well, imho -- and major props for dialing them in so similarly!
BlueLotus said:WOW!! I totally thought the other. Ha.
Cliff should SERIOUSLY think about putting this on the Fractal Sound Clips page. Have one be the real amp and one be the Axe-Fx with a link that tells them what it is after they listen to them. This is a hugely convincing arguement to the quality of the Axe-Fx that, IMO, should be displayed on Fractal's website. There's no better way to convert tube amp purists than to use a direct A/B comparison and this is the best that I've heard. Same guitar, same cabinet/mic and IR...the only thing different in the chain is the Axe-Fx modelling and it is DEAD ON.
While I agree that there is no question of the quality of the Axe-Fx, I will point out that, given the consensus here, you could make either argument: i.e., Axe-Fx is as good as or better than a tube amp, or modeling still can't quite get "there." The bottom line is that the real diehard tubers won't be convinced by any comparison of recorded sounds.BlueLotus said:This is a hugely convincing arguement to the quality of the Axe-Fx that, IMO, should be displayed on Fractal's website.
mranonimouse said:BlueLotus said:WOW!! I totally thought the other. Ha.
Cliff should SERIOUSLY think about putting this on the Fractal Sound Clips page. Have one be the real amp and one be the Axe-Fx with a link that tells them what it is after they listen to them. This is a hugely convincing arguement to the quality of the Axe-Fx that, IMO, should be displayed on Fractal's website. There's no better way to convert tube amp purists than to use a direct A/B comparison and this is the best that I've heard. Same guitar, same cabinet/mic and IR...the only thing different in the chain is the Axe-Fx modelling and it is DEAD ON.
I'm flattered!!
I really think someone with better ears than mine, and a better listening environment, could do a much better job though, and get it dead on.
As I mentioned, I didn't use any of the advanced parameters to get this close, just Drive, Bass, Middle, Treble, Presence, and of course the most crucial step, using an IR of the cab and mic setup.
mranonimouse said:A = Axe-FX
B = Real amp and real cab.
BlueLotus said:mranonimouse said:A = Axe-FX
B = Real amp and real cab.
WOW!! I totally thought the other. Ha.
Cliff should SERIOUSLY think about putting this on the Fractal Sound Clips page. Have one be the real amp and one be the Axe-Fx with a link that tells them what it is after they listen to them. This is a hugely convincing arguement to the quality of the Axe-Fx that, IMO, should be displayed on Fractal's website. There's no better way to convert tube amp purists than to use a direct A/B comparison and this is the best that I've heard. Same guitar, same cabinet/mic and IR...the only thing different in the chain is the Axe-Fx modelling and it is DEAD ON.