Sound is always subjective. Ive not used the Carvin as their all but impossible to get in the UK. however, even if they both sound identical, the Matrix is 1U v the Carvin 2U - and the Matrix weighs 3.7kg v the Carvins 6.3kg. To some people the size/weight advantage is enough to justify a price difference. On the other hand the Carvin is 1500w bridged v the Matrix 800w bridged which MAY also be of consideration (unlikely, but rsf1977 wanted more power than the Matrix provided), and around $420 (I think) v the matrix at around $680 is also a consideration.
I have the 200L the little brother to the 1540L. Never had complainants about the 200L tone wise, found it slightly under-powered and was going to jump to the 1540L but with all the hype of the GT800FX my curiosity got the best of me and glad it did. Although out of all the amps I have tried to use with the Axe Fx my two favorites are the Carvin and the Matrix. I wrote a little review when I first got the Matrix which I still stand by, kind of shot out of a canon at the time so worded a little clunky.
http://forum.fractalaudio.com/amps-cabs/41306-carvin-dcm200l-vs-matrix-gt800fx.html
Bottom line, out of everything I have tried if Matrix was not around I would be using the 1540L, because it is a great amp for the Axe Fx IMO. I never sold my 200L because I still love it and can use it for other applications. On the other side, is the Matrix worth the extra money? IMO yes for sure! Sounds great, plenty of power, and 1 rack space.
John
well I tune down to drop A. So when I do a palm mute ona low A it's asking a lot of the power to reproduce that note. It's like the 1540L was almost enough headroom to keep the amp from limiting when up loud, but when those low A notes were really loud it always was too much, so I had to go one unit higher to the 3000DCML which was more then I needed, but it's always better to have too much power and not use then be needing more then you have. You just have to use common sense when turning it up, if you think it sounds too loud and its going to fry a speaker then turn it down. I've been running this setup for a long time now over a year and I've never had a problem carrying a room or fear of blowing anything up, lol. Knock on wood.
I'd like to interject a comment here. I'm not at all familiar with Matrix so I will not comment on the +/-'s of those amps, however the posts I've seen in this thread about the failings of Carvin power amps all relate to how they interact with guitar cabs. The Matrix power-amp may very well have been designed to work with guitar cabs, but the Carvin amps are designed as linear power-amps. They're designed to work specifically with FRFR speaker systems. I suspect that if your rig is lackluster in performance with a Carvin amp it's because your using a guitar cab that is designed for a totally different type of amp (tube).
Don't fault the amp because you are misusing it.
I run my Axe-Fx Ultra through a DCM1540L into a pair of 3 way FRFR cabs that have specs that are flat line straight from low bass to high treble, and have an output of 103db @1w x 1m and believe me there is NO problem with the bass or in fact any other part of the frequency spectrum.
I'm not knocking the Matrix amps in any way, shape, form, or fashion, I know nothing about them. But let's get our facts straight here. If your having a problem with the Carvin power-amps IMO it's because your not using them right.
I don't think the 200L is related much at all to the higher powered 1540/3000/3800L series. Before I bought the 1540L and 200Ls, I checked up on their schematics on the Carvin site. The 200L doesn't have a schematic, but there is one for the 150 which is probably similar, as the 200L is its replacement.
The 200L is its own little amp.
Jay Mitchell did some tests on the GT800FX and found that it was quite simply no different in terms of response than any other PA amp.
How do you define "valve amp feel"?The Matrix has a flat freq response as well. It came from the XT800 PA amps - and while there are differences there primarily how the amp reacts to the input not the freq response it produces - and of course the connectivity. the Matrix "feels" more like a valve amp but still provided a flat freq response.
If they are worth a crap, they are supposed to be flat.Jay said his tests were limited to just the response and found it to be perfectly flat......not all PA amps are flat.
If they are worth a crap, they are supposed to be flat.
Look guys, I'm not busting on the Matrix, but I think the whole idea that it has some magical tonal property needs to be dispelled. It is quite simply a typical, well designed power amp.