Zwiebelchen
Fractal Fanatic
Don't believe in that bull about "justifying" the Axe with appropriate skill. The Axe is for everyone, not just the veterans. I started out the same way as you did: picking up the guitar first when I was 18 (I'm 27 now, btw).
Back then, I was a poor university student; I worked at a factory, doing tedious assembly jobs when everyone else around me was enjoying their holidays. Of course, they got what in germany is called "Bafög" (Federal Law on Support in Education), while my family was just above the required income treshold, so I didn't got any free tax money shoved up my ass.
I only had a cheap 500$ combo amp and mediocre guitar at that time. I had to make a decision: endlessly buying and selling cheap stuff until I find what I need or just cut the middleman and go pricey on the Axe.
Long story short: I saved up the money and bought that friggin' thing. And I never regretted it. If you do the maths, you will notice that one quality amp and a collection of pedals and cables is already enough to pay for an Axe - especially if you want a good delay and reverb - this shit is expensive as hell.
After my next payday, I invested into the MFC. I sold my Marshall combo and got some cheap FRFR monitors and a small mixer.
The Axe is pure quality of life; you never have issues with cables anymore (I always chuckle when a stage guitarist goes into "shit, no sound! ... gonna check all of my 20 patch-cables for loose contacts now!" mode), no more amp carrying, no more volume issues. And; if you use your own monitors: consistent sound everywhere.
If anything, the Axe will encourage you to learn faster and practice harder. It did so for me. The Axe is kind of like a gym contract: when you've bought it, you will just do it until you feel it paid off ... because you invested a ton of money into this. You won't let that go to waste. Also, it made me learn alot about amps and electrics involved. It kind of makes you the stand-in band technician.
Also, the Axe can make even the cheapest guitar sound decent. This has been proven numerous times. To me, a good amp is equally important as a good guitar. If you neither have a good guitar nor a good amp, there's no "go-to" solution what has more priority imho.
If you really feel like your guitar is limiting you, get a PRS SE. You simply can not get more guitar for your money. And don't waste your money on equipment you will end up selling later at a fraction of the initial price. Get the Axe, you've been playing for four years now; I'm pretty sure that you know by now that this hobby will last.
Some advice, though:
1) take the II, not the XL. The extra features are mostly for heavy-users.
2) Take a cheap Behringer FCB1010 midi board (if possible, buy used!). It requires a little bit more of programming than the MFC, but it's way cheaper and basicly does the same. Plus it comes with 2 in-built expression pedals, so you win twice. If you don't like tap-dancing, chances are the only feature you will ever use is preset and scene switching. Both can be done with the FCB just fine. An alternative is the http://www.tech21nyc.com/products/effects/midimouse.html ... it allows only preset up/down, but this already goes a long way.
3) I highly suggest to go FRFR (instead of power+cab) and don't miss out on the opportunities that come with FRFR. Especially for beginners, it's great to have monitors and a mixing desk available you can use if a venue doesn't have their own PA-system. It's just the more flexible solution.
4) Get quality headphones. Best investment of your life. You will want to use (comfortable!) Headphones at home to decouple your "acoustic" guitar sound from your perceived sound. Plus, it doesn't annoy neighbours that much.
Back then, I was a poor university student; I worked at a factory, doing tedious assembly jobs when everyone else around me was enjoying their holidays. Of course, they got what in germany is called "Bafög" (Federal Law on Support in Education), while my family was just above the required income treshold, so I didn't got any free tax money shoved up my ass.
I only had a cheap 500$ combo amp and mediocre guitar at that time. I had to make a decision: endlessly buying and selling cheap stuff until I find what I need or just cut the middleman and go pricey on the Axe.
Long story short: I saved up the money and bought that friggin' thing. And I never regretted it. If you do the maths, you will notice that one quality amp and a collection of pedals and cables is already enough to pay for an Axe - especially if you want a good delay and reverb - this shit is expensive as hell.
After my next payday, I invested into the MFC. I sold my Marshall combo and got some cheap FRFR monitors and a small mixer.
The Axe is pure quality of life; you never have issues with cables anymore (I always chuckle when a stage guitarist goes into "shit, no sound! ... gonna check all of my 20 patch-cables for loose contacts now!" mode), no more amp carrying, no more volume issues. And; if you use your own monitors: consistent sound everywhere.
If anything, the Axe will encourage you to learn faster and practice harder. It did so for me. The Axe is kind of like a gym contract: when you've bought it, you will just do it until you feel it paid off ... because you invested a ton of money into this. You won't let that go to waste. Also, it made me learn alot about amps and electrics involved. It kind of makes you the stand-in band technician.
Also, the Axe can make even the cheapest guitar sound decent. This has been proven numerous times. To me, a good amp is equally important as a good guitar. If you neither have a good guitar nor a good amp, there's no "go-to" solution what has more priority imho.
If you really feel like your guitar is limiting you, get a PRS SE. You simply can not get more guitar for your money. And don't waste your money on equipment you will end up selling later at a fraction of the initial price. Get the Axe, you've been playing for four years now; I'm pretty sure that you know by now that this hobby will last.
Some advice, though:
1) take the II, not the XL. The extra features are mostly for heavy-users.
2) Take a cheap Behringer FCB1010 midi board (if possible, buy used!). It requires a little bit more of programming than the MFC, but it's way cheaper and basicly does the same. Plus it comes with 2 in-built expression pedals, so you win twice. If you don't like tap-dancing, chances are the only feature you will ever use is preset and scene switching. Both can be done with the FCB just fine. An alternative is the http://www.tech21nyc.com/products/effects/midimouse.html ... it allows only preset up/down, but this already goes a long way.
3) I highly suggest to go FRFR (instead of power+cab) and don't miss out on the opportunities that come with FRFR. Especially for beginners, it's great to have monitors and a mixing desk available you can use if a venue doesn't have their own PA-system. It's just the more flexible solution.
4) Get quality headphones. Best investment of your life. You will want to use (comfortable!) Headphones at home to decouple your "acoustic" guitar sound from your perceived sound. Plus, it doesn't annoy neighbours that much.
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