I'm an Axe-FXII user still, but I'm starting to sus out switching to the III.
I stumbled upon a video today of a guy demoing the III's USA Pre models with visuals of Axe Edit III on the screen.
When he was working with the Triaxis LD2 models, there was the now familiar Bright control although it was renamed to Preamp Presence control.
But when he started working on the USA Pre Clean models, that control was absent and only the PA Presence control was there.
I then started scouring through the Axe III Wiki pages to find out what was up with that and I think I saw a post from Cliff saying that his reference models were older versions of the Triaxis where the Triaxis Version 2 board could no longer be made due to unavailability of parts and that these newer versions of the Triaxis had the Triaxis' "Presence" control as inactive on the Green and Yellow Clean modes as well as the LD1 modes.
And Cliff's same same comments are there in Axe II Wiki as well.
When I owned my Triaxis, that was not the case, but I had had it upgraded to Version 2 with the Phat Mod as well iirc.
Axe Edit II still has the Bright (virtual) knob on all the models (not just the USA Pre models).
When I try to dial in a clean tone with the USA Pre Clean model, I always expect that lowering the Bright control below noon will get me into the same zone as the real Triaxis' with its Presence control between 0 and 10.
Is this no longer 'correct' anymore, assuming I'm trying to cop the behaviour of a real Triaxis?
For my jazz-oriented clean tones, I'm a little bit finicky with the top end.
In fact, my main problem with the real Triaxis, for jazz, was that it had a hard-wired bright cap that couldn't really be defeated, which made it tricky to achieve the tones I was after.
I always liked that on the II's Triaxis models I could just turn the virtual bright cap off via the Bright Switch parameter.
Now, I don't even use that model at the moment for my jazz tones, so this is just educational for me.
So what's the deal on the III's (and the II's) implementation of this control compared to a real Triaxis on the USA Pre Clean model?
PS
Is there a way to set the USA Clean Pre model to go back and forth between the real Triaxis' Clean Green and Clean Yellow modes?
I'm assuming that Cliff modelled the Green mode rather than the Yellow for this model.
I stumbled upon a video today of a guy demoing the III's USA Pre models with visuals of Axe Edit III on the screen.
When he was working with the Triaxis LD2 models, there was the now familiar Bright control although it was renamed to Preamp Presence control.
But when he started working on the USA Pre Clean models, that control was absent and only the PA Presence control was there.
I then started scouring through the Axe III Wiki pages to find out what was up with that and I think I saw a post from Cliff saying that his reference models were older versions of the Triaxis where the Triaxis Version 2 board could no longer be made due to unavailability of parts and that these newer versions of the Triaxis had the Triaxis' "Presence" control as inactive on the Green and Yellow Clean modes as well as the LD1 modes.
And Cliff's same same comments are there in Axe II Wiki as well.
When I owned my Triaxis, that was not the case, but I had had it upgraded to Version 2 with the Phat Mod as well iirc.
Axe Edit II still has the Bright (virtual) knob on all the models (not just the USA Pre models).
When I try to dial in a clean tone with the USA Pre Clean model, I always expect that lowering the Bright control below noon will get me into the same zone as the real Triaxis' with its Presence control between 0 and 10.
Is this no longer 'correct' anymore, assuming I'm trying to cop the behaviour of a real Triaxis?
For my jazz-oriented clean tones, I'm a little bit finicky with the top end.
In fact, my main problem with the real Triaxis, for jazz, was that it had a hard-wired bright cap that couldn't really be defeated, which made it tricky to achieve the tones I was after.
I always liked that on the II's Triaxis models I could just turn the virtual bright cap off via the Bright Switch parameter.
Now, I don't even use that model at the moment for my jazz tones, so this is just educational for me.
So what's the deal on the III's (and the II's) implementation of this control compared to a real Triaxis on the USA Pre Clean model?
PS
Is there a way to set the USA Clean Pre model to go back and forth between the real Triaxis' Clean Green and Clean Yellow modes?
I'm assuming that Cliff modelled the Green mode rather than the Yellow for this model.